Testimonials
Read what reviewers and top composers have to say about our products.
Top Reviews
Super Audio Cart 2 – Max Lombardo
“SAC2 is fantastic! I had a chance to use it on some arrangements and cues for the new Super Mario Galaxy movie, and it’s just perfect. I was able to get that 8-bit retro sound straight out of the box, the intuitive GUI and thorough presets made it incredibly easy to get it exactly where I wanted it to be, sound-wise. A life saver, especially on projects with tight deadlines and lots of moving pieces.”
Shreddage series – Josh Mobley
Shreddage changed my life. I was working on a hybrid metal trailer album for what would later be BMG production music. I’m a keyboard player, and I had never had a realistic playable metal guitar plugin because they just didn’t exist.
It… blew my mind man. Suddenly, I could play all of these riffs I had in my head. I completed the album and it did really well. I heard it in everything. Movie trailers, tv shows etc. [Shreddage] was the backbone of virtually every song on that album.
-Josh Mobley
Fredonia Grand Organ – ShadyCicada
“Fredonia Grand Organ sounds absolutely gigantic, and it’s been a perfect outlet for me to convey more intense emotions in my tracks (especially villain and boss battle themes)!”
Saga: Acoustic Trailer Percussion – Epicomposer.com
“The release of SAGA Acoustic Trailer Percussion came as a nice surprise as the library features a remarkably punchy and powerful, yet very flexible sound that leaves room for custom processing if needed. The sound of the recording hall SAGA was recorded in is rather unobtrusive and doesn’t color the samples too much while still providing a nice sense of depth. SAGA’s neatly arranged interface allows for instant usability and presents every important feature at first sight. You can really feel the knowledge in sampling and user experience Red Room Audio founder Dickie Chapin has gathered through his long-standing work as a creative director at Impact Soundworks. This, together with the amazing performances of the sampled percussion players makes SAGA a top-line sample library in my opinion..”
Saga: Acoustic Trailer Percussion – StrongMocha
“At a first glance, “Saga Acoustic Trailer Percussion” might appear to be another slamming, crashing, pounding collection of trailer-tailored fluff. That is simply not the case here. What Saga really contains is a highly balanced collection of drums we’re familiar with, some we’re not, and a surprisingly flexible variety of industrial percussion that makes this package a work-horse that composers can and should, by all means, invest in with comfort. It’s rock solid. 5 out of 5 stars.”
-Cory Pelizzari (StrongMocha)
Saga: Acoustic Trailer Percussion – Sound on Sound
“If action and thriller soundtracks are your thing, then Red Room Audio’s Saga Acoustic Trailer Percussion more than holds its own. It is also competitively priced so you don’t need a Hollywood budget to get on board. If your palette of cinematic drum and percussion sounds needs expanding, Saga Acoustic Trailer Percussion is well worth auditioning”
-John Walden (Sound on Sound)
Cue Builders: Cinematic Rhythms – KK-Access
“This is actually a rather rare occasion where my fingers are unable to type any genuine words of criticism, basically if the style of rhythms and sounds included in CUE BUILDERS CINEMATIC RHYTHMS fit in with your music needs, then it’s a great addition to your library collection and musical palette!”
-Chris Ankin (KK-Access)
Cue Builders: Cinematic Rhythms – Sample Library Review
“Need to add world beats or epic rhythms in a time-crunch? You gotta check out Red Room Audio’s new Cue Builder library for Kontakt. Epic, Powerful and Full of Energy “Cinematic Rhythms” takes the Kontakt performance-based library and makes HUGE leaps in improving playback, flexibility and control.”
-Don Bodin (Sample Library Review)
Cue Builders: Cinematic Rhythms – StrongMocha
“Cue Builders Cinematic Rhythms is perfect for any composer and producer who need World or Epic beats quickly. All with the added large extent of possible customization makes this a unique and incredible offering.”
-Thorsten Meyer (StrongMocha)
Palette Series – Making Music
“The Palette series so far is a superbly integrated set of orchestral samples. Red Room Audio’s splash into orchestral sample libraries shows it’s a company with strong ideas about what an orchestral library should contain and without doubt it’s off to a very impressive start.”
Ian Waugh (Making Music)
Palette Series – Professionalcomposers.com
“Palette Orchestral series was a huge and wonderful surprise for me. Don’t get me wrong, I knew it was good…but I had no idea it would be THIS good. I honestly feel that this is one of the absolute top collections for composers of Orchestral & Cinematic Music. It covers the foundation with Symphonic Sketchpad, adds the lyrical aspect with Palette Melodics, the flare and flow with Palette Runs & Arps, and the final touch with Orchestral FX.”
Palette Orchestra Complete – Beat Magazine
“With a harmonious selection of ensembles and additional instruments, Symphonic Sketchpad is an excellent foundation for orchestral compositions. For composers who already own other orchestral libraries the collection is an inspiring tool for broad strokes thanks to its great sound and intuitive operation.”
Palette Orchestra Complete – Epicomposer.com
“Palette – Symphonic Sketchpad really offers a unique and overarching collection of orchestral instruments. If you are looking for a tool with a wide range of musical possibilities that focuses on modern epic orchestral arrangements and provides extensive effects as well as a careful selection of additional sound design and synth patches, this library could be just the right thing for you.”
Manuel Schmitt (Epicomposer.com)
