Audio Demos
- Lively Town Koichi Sugiyama (Arranged by Tarik Maljanovic)
- Basil Festival Sarah Mancuso
- Rumbidum Woods (Anima Mix) Nabeel Ansari
- Rising Second Sun (Anima Mix) Nabeel Ansari
- Last Grains Of Sand Sarah Mancuso
- Inquisition Sarah Mancuso
- New Home Artem Akmulin
- Lively Town (Library Only) Koichi Sugiyama (Arranged by Tarik Maljanovic)
- New Home (Library Only) Artem Akmulin
Product Info
Five orchestral string sections & Ensemble patch
8 violins 1, 6 violins 2, 4 violas, 3 cellos, 3 basses, plus a convenient, efficient new Ensemble patch.
3 hand-sculpted mic mixes in a legendary space
Choose from Anima Mix (a light and airy mix most suited to agile and intricate writing), Cinema Mix (a dark, smooth mix suitable for cinematic scoring and low string chorales), or Mitsunori Aizawa’s own upfront Board Mix (using his hardware setup at Sound City).
5 distinctive legato types
Legato Bow, Legato Slur, emotional Lyrical Legato, super-agile Runs Legato, and powerful Marcato Legato incorporating adjustable bow noise.
All crucial playing techniques
Sustains, pizzicato, staccato, staccatissimo, spiccato, spiccato secco, tremolo, long & short decrescendo and sforzando.
Expressive dynamics, legato, and vibrato
Multiple legato speeds, three vibrato levels (senza, con, molto), and up to five dynamics per articulation.
Features
Elegant and streamlined UI
Groundbreaking lookahead mode
Total Articulation Control Technology v3
Deep editing for power users
CONSOLE modular FX rack and mixer
Requirements
84GB disk space
7200 RPM hard drive or solid state drive recommended.
8GB of RAM minimum
16GB recommended for loading all sections.
Apple M1, Intel i5 or equivalent CPU
A faster CPU with more cores will allow you to play more simultaneous voices.
Kontakt Player 7.8.1+
This library will run in the FREE Kontakt Player.
Kontakt Requirements - Mac OS
Intel Macs (i5 or higher): macOS 11 or later
Apple Silicon Macs (via Rosetta 2 & natively on ARM in Standalone or in hosts that support it): macOS 11 or 12 (latest update)
Kontakt Requirements - Windows
Windows 7, Windows 8, or Windows 10 (latest Service Pack, 32/64-bit). Intel Core i5 or equivalent CPU. Graphics hardware support for OpenGL 2.1 or higher. Windows 10 strongly recommended.
Tutorials
Full Walkthrough
Articulation System
Lookahead 2.0 Tutorial
Behind the Scenes Story
Teaser Reveal
Featured Artists & Composers

Kevin Manthei
Angry Birds Mystery Island, Marvel’s Spider-Man, Villainous, Neverwinter, Star Trek Online
"ISW creates some of the most inspiring & realistic guitar sample libraries. I had to write a bunch of really gritty, angry heavy metal & sports action rock cues. I used Shreddage 3 Serpent for leads and was blown away by its onboard processing, programming, and amazing live-sounding leads. I also created a signature sound based on the lead guitar in David Lynch's Twin Peaks series, originally played on baritone guitar. [Serpent] built a convincing replica of that sound just using on-board FX. It was so fun and easy to do!"

Ben Prunty
FTL: Faster Than Light, Into the Breach, Subnautica: Below Zero
"I've been using ISW since 2015, and their instruments have shown up in Into the Breach and Subnautica Below Zero, and in nearly all of my solo albums. Shreddage helped me fill in the gaps around my own guitar performances. Super Audio Cart provided some great raw synth sounds for parts of Below Zero. Impact Soundworks is often the first place I go to when I'm shopping for a new project. Everything they make works and sounds great."

Jeff Broadbent
Assassin’s Creed Identity, Call of Duty Mobile, Resident Evil, Diablo Immortal, Transformers: Dark of the Moon
"ISW creates amazing, creative, and intuitive virtual instruments! I’ve enjoyed using them for over a decade, and they have found their way into many of my music scores. Their wonderfully realistic world instruments showed up in a recent Nexon video game, Shreddage 3 Stratus on the score for Grid, and Super Audio Boy is a favorite for retro sounds, effects, and fun nostalgia. Highly recommended!"
In a crowded field of string libraries, Tokyo Scoring Strings stands out for its unique sound, extraordinary lookahead technology, and remarkably easy-to-use workflow.
In creating Tokyo Scoring Strings, we wanted it to be fun, inspiring, and easy to use, while still powerful enough to create truly realistic, lifelike performances. We’ve gone to great lengths to polish and perfect our legato so that it sounds perfectly natural and real, whether you’re writing expressive or rapid passages.
The Essentials Version of Tokyo Scoring Strings gives you incredible fine-grained control, as well as extraordinary levels of detail and the ability to mock up an even wider range of performances due to expanded articulations.
In creating Tokyo Scoring Strings, we wanted it to be fun, inspiring, and easy to use, while still powerful enough to create truly realistic, lifelike performances. We’ve gone to great lengths to polish and perfect our legato so that it sounds perfectly natural and real, whether you’re writing expressive or rapid passages.
Tokyo Scoring Strings Essentials gives you a generous selection of articulations, including everything you need to write professional, score-ready orchestral compositions. It also comes with three hand-sculpted microphone mixes:
- Board Mix: An upfront mix by Mitsunori Aizawa, using his hardware setup at Sound City.
- Anima Mix: A light and airy mix most suited to agile and intricate writing.
- Cinema Mix: A dark, smooth mix suitable for cinematic scoring and low string chorales.
For even more articulations and greater control over individual microphones, look at Tokyo Scoring Strings Complete.
What exactly is Lookahead? It’s the ideal solution to make programming parts in MIDI as realistic and easy as possible. Lookahead allows you to work directly on the grid with consistent delay for all articulations and legato speeds, and polyphonic legato that works perfectly with no additional effort on your part. For the ultimate in realism and saving time, you can even choose the optional Easy Artic mode, which selects articulations polyphonically without needing to use keyswitches.
[full width video embed of lookahead tutorial]
The sound of Japanese strings is both captivating and highly unique. What makes it so distinctive? Smaller ensembles recorded in focused studio spaces lend themselves to more agile playing, and a focus on perfection leads to incredible accuracy. These strengths make Japanese ensembles equally capable of delicate nuance and sweeping emotional performances that move listeners to tears. For many of us who have admired Japanese soundtracks for years, this sound has long been a source of inspiration, but it’s been out of reach for most composers outside of Japan — until now.
Our goal with Tokyo Scoring Strings is to give you the orchestral string sound featured in so many world-famous Japanese productions. This project has been a dream come true for all of us at Impact Soundworks, and we’re thrilled to have worked with some of our musical heroes to bring it to life.
Writing music is a deeply personal act of creation, and your workflow preferences are just as unique. Our TACT system allows you to personalize how you use Tokyo Scoring Strings to suit how you work best, regardless of which DAW you prefer or whether you use a MIDI controller or not. Do you rely on keyswitches, stick to MIDI CSS, set everything by velocity, or use a combination of all three? If you can dream up the perfect articulation mapping, you can make it real in Tokyo Scoring Strings.
The updated and improved Tokyo Scoring Strings 2.0 features stunningly realistic, consistent, and smooth legato created using our in-house developed Spectral Fusion System. Using proprietary DSP software, editing, and programming techniques, all 60,000+ legato samples have been carefully balanced and matched to all combinations of source and destination notes, including the associated recorded dynamics.
Normally, this processing would be impossible to achieve through any manual process due to the sheer number of samples involved. That’s why legato recording, editing, and programming is by far the most time-consuming part of creating realistic sample libraries, and why results often come up short — lumpy transitions, rapidly-changing timbre from source to destination, a “sucking” effect that makes the recording space sound suddenly lifeless, and more.
The unprecedented, library-wide balance from the Spectral Fusion System does not compromise the versatility or range of legato either; Tokyo Scoring Strings Essentials includes a total of five distinct legato types along with four independent speed profiles which allow stunning and consistent performances at all dynamics and tempos.
Purchasing Tokyo Scoring Strings Essentials will qualify you for a discount if you later decide to upgrade to Tokyo Scoring Strings Complete.
View the Tokyo Scoring Strings comparison chart to see what is available in each edition!
We are honored to have partnered with an incredible team of musicians and collaborators in Japan:
- Koichiro Muroya Strings, led by Koichiro Muroya. The most in-demand session ensemble in all of Japan. Their exquisite playing can be heard on many of your favorite soundtracks.
- Mitsunori Aizawa, Japan’s top engineer, responsible for mixing and recording hundreds of world-famous scores.
- Sound City, an incredible recording space with over 60 years of history. This choice of studio gives Tokyo Scoring Strings a tighter, more focused sound that lends itself extremely well to more agile playing and mixing with external reverb.
- Renowned anime & film composer Masaru Yokoyama, who brought his experience recording scores around the world through his companies Plugnote and MiracleBus.
- Crypton Future Media and SonicWire, our Japanese distributors who have helped with the project from the very beginning.
Tokyo Scoring Strings Essentials features five independently recorded sections (Violins 1, Violins 2, Viola, Cello, Bass), as well as an Ensemble Patch, in a typical Japanese ensemble size (8/6/4/4/3) suitable for small and large productions alike.
Tokyo Studio Strings Essentials includes a well-rounded set of articulations recorded in superb detail. We have paid particular attention to delivering outstanding legato as well as the agility and crisp short notes that are such a strength of smaller Japanese string sections. You’ll be able to easily write and mock-up sweeping melodies, intimate legato, and aggressive agile passages.
Articulations
- Arco (Sustain) – 5 dynamics, 3 vibrato levels (senza, con, molto)
- Bowed Legato – 3 dynamics, 2x rr
- Slurred Legato – 3 dynamics, 2x rr
- Marcato Legato – 3 dynamics, 2x rr
- Bowed Legato – 3 dynamics, 2x rr
- Slurred Legato – 3 dynamics, 2x rr
- Rebow – 3 dynamics, 5x rr
- Staccato – 5 dynamics, 6x rr
- Staccatissimo – 5 dynamics, 6x rr
- Spiccato – 4 dynamics, 6x rr
- Pizzicato – 3 dynamics, 4x rr
- Tremolo – 4 dynamics
- Releases – Natural
A beautiful new version of our Console modular FX rack and mixer is included with the updated Tokyo Scoring Strings 2.0. Here, you can access over 40 different analog and digitally-modeled effects ranging from EQs, compressors, and limiters, to multiple flavors of reverbs and delays. You can sculpt and shape Tokyo Scoring Strings entirely in Console without using a single external plugin!
Download the Console manual here to learn more!
Reviews
Testimonial – Hiroyuki Sawano (Attack on Titan, Kill La Kill, Seven Deadly Sins)
“I was curious about TSS because my work friends, Mr. Muroya and Mr. Aizawa were involved in the project. It was recorded in a studio that I often use for my string recording. I have enjoyed using this library as its sound presence and moderate ambience is unique and different compared to overseas recorded libraries that I usually use. I think it can be used effectively in a wide range of genres, not only for epic sounds, but also for rock, pop and dance music.”
Testimonial – Yasunori Nishiki (Octopath Traveler)
“It sounds exactly like what I’m used to hearing, Muroya Strings x Sound City x Mitsunori Aizawa! The staccato and pizzicato reverberation in particular gave me a sense of Sound City’s unique reverb, and I felt like I was in the Sound City control room. The sound definitely has the sense of Japanese strings and studio, making it easy to use for any kind of music. I believe this library delivers the sound of Japan to the world!”
Testimonial – Satoru Kosaki (Lucky Star, Monogatari, Beastars)
“I feel proud that a library made by close representative members of the Japanese soundtrack industry will be released. I played back MIDI data from one of my past compositions which was eventually recorded with the exact same team, and it sounded astonishingly similar. I was also impressed by how easily I was able to produce their sound without having to adjust or mix any details such as the space size, instrument balance, and legato speed, etc. I would absolutely recommend this library to anyone who wants to replicate the sound of Japanese soundtracks, and personally, I feel it will prove to be crucial in my arrangement process as it will be so much easier to imagine the final recorded result.”
Tokyo Scoring Strings – Kevin Kuschel
“But when it comes to smaller section-sized string libraries with a great legato, TSS has become a valid, new contender here that also brings a whole lot of workflow power to the table. If you want that JRPG tone with a smaller, focused ensemble size, for telling musical stories in a big context, then TSS is for you.”
Kevin Kuschel (12/21)
Tokyo Scoring Strings – StrongMocha
“Tokyo Scoring Strings is the answer to any composer’s dreams of having a world-class strings library in their arsenal. It’s also perfect for those who’ve never used such an instrument before because it has everything from deep-sampled playing techniques and expressive scripting that will take care of all the work of creating the perfect sound for you…not limited to just movie soundtracks or anime themes, as they could also fit well with anything from jazz, rock & roll, or even heavy metal!…The library is so much more than I ever could’ve imagined. It does seem like a magical palace, and it’s perfect for people who love to compose and produce.” (5/5 stars)
Thorsten Meyer (StrongMocha)