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How do you deliver realistic, effective, Hollywood-level foley with a limited budget and limited time? With more independent movies, games, and video productions being produced than ever, there’s more demand and higher standards for high-quality audio. How do you meet these expectations as an individual or small team?

You could perform and record everything yourself, but this painstaking process takes equipment, time, and practice. You could purchase a generic foley library, but you’ll need to spend a lot of time chopping up and re-aligning sprawling audio files… then doing it again if the video changes. Sometimes, this takes more time than just recording yourself. Back to square one.

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The Cinema Sound Foley Library offers the best of both worlds. With our custom Kontakt instrument, you can quickly audition thousands of sounds in seconds, and implement them on the fly by ‘performing’ them on a MIDI keyboard.

With easy layering, keyswitching, per-sample editing, and FX – all within a single UI – editing these performances couldn’t be any easier! This has extensive advantages over other methods of foley creation and design:

1. Massive time savings in implementing and auditioning foley sounds, because they’re already collated, edited, organized, mastered, and processed for maximum punch in the mix.

2. User-friendly, versatile options for performance, with easy switching and crossfading between layers all within a single MIDI channel.

3. A huge selection of categorized sounds includes the bulk of what every production encounters: footsteps, clothing, and skin.

4. Footsteps with multiple tempi and intensities, so you can perfectly match the action on screen, as well as program each heel-toe-slide-pickup separately.

5. Easy layering of sounds to create super juicy and punchy effects, or super-ethereal ambiences, within seconds.

6. Full ADSR envelope controls to create “Distance to Camera” mixing, and all controls are automatable from your DAW.

With CSFL, you can add Hollywood-level, immersive foley to any production with a fraction of the time and budget previously required. We hope you’re able to take advantage of this in a huge way, and enhance your productions to the maximum!

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Download the complete Content Layout PDF here to see all included categories

CSFL was primarily recorded with the Røde NTG-8 shotgun mic, which, thanks to its beautiful frequency response and powerful off-axis rejection, gives the recordings a very “on set” feeling.

You’ll find this library blends far more readily with dialog recorded on lavaliers and shotgun mics and brings a far more cohesive frequency response to production audio in the mix. Exterior recordings were recorded with the Røde NTG-3 and, similarly, its world-famous sound allows foley samples to blend wonderfully with on-set dialog.

All samples were captured at 192/96 kHz/24 bits and audio was processed at that sample rate. It was only downsampled to 96kHz for final export. We implemented state-of-the-art noise and artifact removal to further clean up the recordings and added a proprietary neuro-passive aural EQ curve on all samples to enhance their use in complex mixing.

Using these pristine high bit and sample rates means virtually no digital noise buildup or harsh artifacts, even with lots of processing and pitch shifting!

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The sounds themselves are only one part of our foley library. You’ll also gain a powerful mixer and modular effects rack so you can customize these foley sounds with a variety of subtle to dramatic effects. With Console, you can make subtle adjustments to tone and space, or go hyper-realistic with sounds that really punch through the mix.

You’ll find multiple EQs (digital and analog-style), compressors, spatial FX, modulation FX, amps, distortion pedals, reverbs, and a selection of over 30 custom cabinet IRs! Using Console, you can easily save and load FX chains or presets between projects or even different Console-enabled ISW instruments.

Download the Console manual here to learn more!