Sounds From Hell
Modern, powerful, cinematic instruments and sounds with a dark edge.
$149
Audio Demos
- The Saga Begins (Library Only) Ashton Gleckman
- The Saga Begins Ashton Gleckman
- Attack Of The Cyborg Llamas Brad Jerkins
- Into The Sea (Library Only) Firoze
- Into The Sea Firoze
- Landwaster (Library Only) Henning Nugel
- Landwaster Henning Nugel
- Facing Our Destiny J. Gabriel Rodrigues
- Assumption Javier Arnanz
- They Are Here (Library Only) Kurt Landre
- They Are Here Kurt Landre
- March Of The Machines Lawson Madlener
- Exodus Mitchell Gibbs
- The Chase Nathan Madsen
- Tyrant Pixelee
Overview
An underwordly, gut-wrenching sound design anthology packed with thousands of booms, braams, downers, hits & impacts, risers, drones, and pads. The ultimate collection of cinematic tools for thrilling action, suspense, sci-fi, EDM, and of course, horror scoring. Originally created by Red Room Audio as two separate volumes, Hits & Risers and Ambience & Underscore.
Product Info
Dark, modern, ultra-cinematic
A composer’s dream (or nightmare) for epic trailers, horror, suspense, thrillers, powerful action, and any other musical styles calling for cutting-edge dark sound design. Contains over 14GB of content and nearly 1,500 unique instruments that add sinister energy to your productions.
11 categories of evocative, malevolent sounds
Designed by ten award-winning, apocalyptic sound designers, each patch is dedicated to a single thematic category: Booms, Braams, Downers, Hits & Impacts, Reverses, Risers, Whooshes, Drones, Pads, Pulses, and Soundscapes. A blend of both percussive and multisampled tonal sounds.
Drag-and-drop WAV files included
Want to edit, slice, cut, and mangle the samples further? An entire separate set of WAVs is included that can be loaded directly into your DAW or any sampler of your choice.
Powerful tweaking and morphing
Every instrument & sound is ready to play – or drop into your tracks – immediately. But for the malevolent tweakers, our user interface makes it very easy to make quick adjustments to every sound. Or use the built-in rhythm sequencer to create captivating volume, filter, pan, and pitch movement.
Mark your favorites
Each sonic category contains a variety of instruments ready for quick auditioning. You can mark your favorites in a single-click so you know what sounds to turn to again and again.
The synergy of two libraries
Originally two separate collections from Red Room Audio, now in one single, unified library.
Features
Gorgeous, streamlined UI
Quick sound design controls
Create custom pulses & rhythms
Simple, straightforward mapping
8-slot FX rack with 25 modules
Requirements
15 GB disk space
7200 RPM hard drive or solid state drive recommended.
4 GB RAM
Higher amounts of memory let you load more instruments.
Kontakt Player 6.7.1+
This library DOES work with the free Kontakt Player 6.7.1+ or higher.
Kontakt Requirements - Mac OS
Intel Macs (i5 or higher): macOS 12 or higher
Apple Silicon Macs (via Rosetta 2 & natively on ARM in Standalone or in hosts that support it): macOS 11, 12 or 13 (latest update).
Kontakt Requirements - Windows
Windows: Windows 10 or 11 (latest Service Pack), Intel Core i5 or equivalent CPU, 2 GB RAM. Graphics hardware support for OpenGL 2.1 or higher.
Tutorials
Official Trailer
Hits & Transitions Walkthrough
Ambience & Underscore Walkthrough
Featured Artists & Composers
Jimmy Hinson
Black Ops 4, Mass Effect 2, There Came An Echo, Borderlands 2
“Between Shreddage, Super Audio Cart, Juggernaut, and Mega Brass I don’t remember the last time I haven’t used an Impact Soundworks instrument in a track. The attention to detail is astonishing and it’s all so easy to use out of the box, which is a big deal.”
Ben Prunty
FTL: Faster Than Light, Into the Breach, Subnautica: Below Zero
"I've been using ISW since 2015, and their instruments have shown up in Into the Breach and Subnautica Below Zero, and in nearly all of my solo albums. Shreddage helped me fill in the gaps around my own guitar performances. Super Audio Cart provided some great raw synth sounds for parts of Below Zero. Impact Soundworks is often the first place I go to when I'm shopping for a new project. Everything they make works and sounds great."
Neal Acree
World of WarCraft, Diablo III, StarCraft II, Overwatch
"Impact Soundworks has some of the most creative and innovative libraries out there. From world instruments to the insanely deep sampled Shreddage guitar series the Impact catalog is full of must-haves and unexpected and inspiring surprises. Highly recommended!
Sounds From Hell is a sound design anthology tailored for action, suspense, sci-fi, horror and dark audio. These gripping and dramatic collections represent a collaboration with 10 designers from around the world to provide a fresh, diverse, and evocative arsenal of sinister cinematic tools. We present these exhilarating sounds in a simple yet powerful engine with an accessible and easy-to-use feature set to quickly inspire your most malevolent creations.
Sounds From Hell contains over 14GB of melodic content in 4 categories – Drones, Pads, Pulses and Soundscapes – all
produced expressly for adding underworldly texture and atmospheric motion to your compositions.
- 113 Booms: Earthshaking low-frequency stings with long tails
- 100 Braams: High-energy, ominous, unison blasts playable in any key
- 190 Downers: Tonal stingers with descending pitch into the underworld
- 129 Drones: Sustained, looping tonal textures playable in any key
- 189 Hits & Impacts: Transient-heavy, percussive sonic punches
- 140 Pads: Fully-multisampled complex pads to provide weight and depth
- 127 Pulses: Tension-filled tonal, rhythmic loops playable in any key
- 76 Reverses: Spine-tingling swells and crescendos
- 125 Risers: Heart-pounding tonal stingers with ascending pitch
- 184 Soundscapes: Evolving, hyper-complex atmospheric textures that create ambience in a single note
- 124 Whooshes: Non-pitched stingers that swell to a peak and ring out
Reviews
Sounds From Hell – Sample Library Review
“This isn’t just another toolkit – it brings something new to the table. This could be a hidden gem; a secret weapon. The level of inspiration you get from these sounds is huge. It makes you want to explore and compose. It’s indispensable. The value for money is absolutely amazing. Ideal for any cinematic, tv and game composer.”
-Pete Checkley (Sample Library Review)