Palette: Primary Colors
A selection of three grand orchestral ensembles (strings, winds, and brass) from the full Palette Orchestra Complete.
Suggested Price: $5
Audio Demos
- The Brightest Sun Reuben Cornell
- Primacy Blake Ewing
- Colorful Sunset J. Gabriel Rodrigues
- Colorful Sunset (Library Only) J. Gabriel Rodrigues
Overview
A FREE taste of Palette! This small sampling of Palette Orchestra Complete features strings, woodwinds, and brass ensembles recorded using our True Ensemble Recording technique, with one microphone position and an abbreviated set of articulations.
Product Info
3 complete orchestral ensembles
Strings, brass, and woodwinds, each recorded with detailed articulations, dynamiIcs, and round robins.
Detailed recordings with depth and clarity
3 dynamic layers and up to 7 round robins, allowing for expressive, vibrant writing.
Sustain and staccato articulations
All sections include both vibrato and non-vibrato sustain variations; brass features flutter tongue and strings include the tremolo articulation.
Articulation modifier controls
Adjust dynamics, expression, vibrato and tremolo/fluttter directly from the UI, along with tweaks for offset, attack, and release.
True ensemble recording
Lush, grand pre-orchestrated sections that sound great out-of-the-box. No mixing required.
Features
Beautiful high res UI
Easy-to-use 3-section mixer
Essential articulations
Flexible articulation controls
4-slot FX rack
Requirements
2 GB Disk Space
7200 RPM hard drive or solid state drive recommended.
4 GB RAM (8 GB recommended)
Higher amounts of memory let you load more instruments.
Kontakt 6.7.1+ (Full) compatible
Your system must also meet the requirements for version 6.7.1 of Kontakt. If you cannot run that version, you will not be able to load this library.
Kontakt Requirements - Mac OS
Intel Macs (i5 or higher): macOS 12 or higher
Apple Silicon Macs (via Rosetta 2 & natively on ARM in Standalone or in hosts that support it): macOS 11, 12 or 13 (latest update).
Kontakt Requirements - Windows
Windows: Windows 10 or 11 (latest Service Pack), Intel Core i5 or equivalent CPU, 2 GB RAM. Graphics hardware support for OpenGL 2.1 or higher.
Tutorials
Walkthrough
Featured Artists & Composers
Jimmy Hinson
Black Ops 4, Mass Effect 2, There Came An Echo, Borderlands 2
“Between Shreddage, Super Audio Cart, Juggernaut, and Mega Brass I don’t remember the last time I haven’t used an Impact Soundworks instrument in a track. The attention to detail is astonishing and it’s all so easy to use out of the box, which is a big deal.”
Brian Pickett
PAW Patrol, Lucas the Spider, Daniel Tiger
“I never would have thought that sampled guitars could sound as good as ISW’s do. The fact that I can use them to lay down a realistic solo is unprecedented. They’ve pushed the boundaries of realism.”
Neal Acree
World of WarCraft, Diablo III, StarCraft II, Overwatch
“Impact Soundworks has some of the most creative and innovative libraries out there. From world instruments to the insanely deep sampled Shreddage guitar series the Impact catalog is full of must-haves and unexpected and inspiring surprises. Highly recommended!
The Palette: Primary Colors collection is a small and easy-to-use taste of Palette Orchestra Complete. Recorded in a dedicated hall with world-reknowned performers, it delivers world-class sound while making it as fast and simple as possible to get an authentic, realistic result.
Naturally, you can use Palette: Primary Colors for everything from epic and dramatic soundtracks to intimate chamber pieces, soaring themes, tense underscore, and chilling atmospheres. However, it can work just as well in pop, rock, metal, or in any track where you need fantastic orchestral sounds without spending a ton of time on tweaking and programming.
With Strings, Brass and Woodwinds sections all included, along with a lush room sound without too much ambience (1.2s reverb tail), essential articulations, 3 dynamic layers and up to 7x round robins, this is truly a one-stop shop for your next orchestral production.
With our players in standard seating position across the stage we recorded the full range of each ensemble in unison, from lowest to highest note. Instruments play together when their ranges overlap and drop out when they reach their limits. We’ve dubbed this approach “True Ensemble Recording.” The result is a rich, playable patch that’s natural and full of life – instantly gratifying and perfect for quickly laying down ideas without sacrificing realism.