Audio Demos
- Against The Clock Joao Gabriel Rodrigues
- Expedition Blake Ewing
- Over The Oceans Tristan Noon
- Basecamp Blake Ewing
- Adventure Awaits Lawson Madlener
- Crossroads Henning Nugel
- Enchanting Firoze Patel
- Return Of The Red Baron Dickie Chapin
- Coming Home Again Pixelee
- Forge Storm Sound
- Risen Javier Arnanz
- Headed To Mayhem Brad Jerkins
- Adventure Among The Stars Nathan Madsen
- Presentation Lawson Madlener
- Mugen No Sekai Cory Pelizzari
- Hero Worship Reuben Cornell
- Superhuman Dickie Chapin
- Against The Clock (Library Only) Joao Gabriel Rodrigues
Product Info
6 complete orchestral ensembles
Strings, brass, and woodwinds, each recorded in both full and chamber sizes with detailed articulations, dynamics, and round robins.
Dozens of percussive instruments
18 traditional orchestral percussion instruments (gran casa, snare, toms, piatti, tam-tam, etc), 5 trailer drum ensembles (large drum, snare, tom, taiko, tupan), 4 hand percussion (cajon, djembe, bongos, congas)
Soloists and pre-orchestrated melodic combos
Solo violin, cello, flute, oboe, trumpet, and french horn, all with true legato. 11 true legato combos such as celli & double basses, 6 french horns, trumpets + horns, trumpet octaves, bass clarinet & contrabassoon.
Custom sound design and trailer tools
Over 250 unique hybrid samples in 7 categories – Impacts, Sub-booms, Reverses, Whooshes & Transitions, Risers, Downers and Braaams.
Grand piano, concert harp, choirs.
All beautifully detailed and emotive, recorded in the same hall as all other instruments for superb blending and balance with the rest of the orchestra. Choir includes both men and women recorded separately.
3 versatile mic mixes
Recorded in a medium orchestral hall with a nimble 1.2 second reverb tail. Independently mix between close, decca, and hall positions.
Real orchestral runs & arpeggios
Over 1,500 strings & wind runs and arpeggios, meticulously organized with multiple scales, modes and chords. Real recordings and MIDIs included.
Aleatoric orchestral FX
Over 2,400 expertly-orchestrated ‘effects’ categorized into shorts, longs, stings, textures, rises, and falls, all available in strings, brass, woodwinds, and choir. FX builder included.
Features
Beautiful high res UI
Easy-to-use 3-mic mixer
Essential and extended articulations
3 microphone perspectives
8-slot FX rack
Requirements
84GB Disk Space
7200 RPM hard drive or solid state drive recommended.
4 GB RAM (8 GB recommended)
Higher amounts of memory let you load more instruments.
FREE Kontakt 6.7.1+ Player Compatible
Your system must also meet the requirements for version 6.7.1 of Kontakt Player. If you cannot run that version, you will not be able to load this library.
Kontakt Requirements - Mac OS
Intel Macs (i5 or higher): macOS 12 or higher
Apple Silicon Macs (via Rosetta 2 & natively on ARM in Standalone or in hosts that support it): macOS 11, 12 or 13 (latest update).
Kontakt Requirements - Windows
Windows: Windows 10 or 11 (latest Service Pack), Intel Core i5 or equivalent CPU, 2 GB RAM. Graphics hardware support for OpenGL 2.1 or higher.
Tutorials
Walkthrough for Palette Symphonic Sketchpad
Walkthrough for Melodics
Walkthrough for Runs & Arps
Walkthrough for Orchestral FX
v1.1 Update Overview
Writing a Heroic Action Cue
Official Palette Trailer
Behind the Scenes
Featured Artists & Composers

Christopher Gordon
Ladies in Black, Mao's Last Dancer, Salem's Lot, Master and Commander
"Impact Soundworks' range of guitars and fretted instruments sound amazing and are crafted and nuanced with expert detail. Intuitively set up to get straight to composing. And I have a real soft spot for the juicy, screaming Shreddage 3 Hydra!"

Mike Reagan
Invincible Fight Girl, Powerpuff Girls, Trials Evolution, God of War, Twisted Metal
"A big thanks to the team at Impact Soundworks for putting inspiration at my fingertips! Your sample libraries are in heavy use in my Orchestral, Rock and Pop templates, and always visible in my top-tier Cue-specific Kontakt. Layering your Shreddage libraries on top of my live guitar tracks creates so much depth, and I get so much out of so many of your other libraries - too many to name. A+ programming and sonic goodness gang!"

Jeff Broadbent
Assassin’s Creed Identity, Call of Duty Mobile, Resident Evil, Diablo Immortal, Transformers: Dark of the Moon
"ISW creates amazing, creative, and intuitive virtual instruments! I’ve enjoyed using them for over a decade, and they have found their way into many of my music scores. Their wonderfully realistic world instruments showed up in a recent Nexon video game, Shreddage 3 Stratus on the score for Grid, and Super Audio Boy is a favorite for retro sounds, effects, and fun nostalgia. Highly recommended!"
The Palette collection is the ultimate set of easy-to-use yet powerful orchestral scoring tools. Recorded in a dedicated hall with world-reknowned performers, it delivers world-class sound while making it as fast and simple as possible to get an authentic, realistic result.
Naturally, you can use Palette for everything from epic and dramatic soundtracks to intimate chamber pieces, soaring legato themes, tense underscore, and chilling atmospheres. However, thanks to its multiple mics and clarity of tone, it can work just as well in pop, rock, metal, or in any track where you need fantastic orchestral sounds without spending a ton of time on tweaking and programming.
With over 50 instrument patches, three mic positions, a lush room sound without too much ambience (1.2s reverb tail), extensive articulations, true legato, 3 dynamic layers and up to 7x round robins, this is truly a one-stop shop for your next orchestral production.
Palette Complete contains four libraries originally created & released by Red Room Audio: Palette Symphonic Sketchpad, Palette – Melodics, Palette – Orchestral FX, and Palette – Arps & Runs. These have been combined into a single product!
The core of Palette Orchestra are the strings, brass and woodwinds ensemble patches. With our players in standard seating position across the stage we recorded the full range of each ensemble in unison, from lowest to highest note. Instruments play together when their ranges overlap and drop out when they reach their limits. We’ve dubbed this approach “True Ensemble Recording.” The result is a rich, playable patch that’s natural and full of life – instantly gratifying and perfect for quickly laying down ideas without sacrificing realism.
To provide you with an additional level of flexibility we recorded our ensembles in two sizes – Full and Chamber. These were not accomplished by layering samples – they are 2 unique sets of recordings, each featuring a different number of players. This allows you to achieve the ideal breadth for your score, be it powerful and dramatic or tranquil and moving.
The 24-piece choir features separate Women & Men sections performing sustains and staccato articulations in 3 vowels (Ah, Oh and Mm).
Palette Orchestra also offers 23 essential tonal and atonal orchestral percussion instruments, sampled in up to 7 dynamics with 5 round robin for both left and right hand (where applicable). Standard hits, rolls and other unique articulations are included. The drums, cymbals and auxiliary instruments are combined in one simple GM-style patch to minimize your track count. We also added 6-player ensemble trailer drums and hand percussion patches.
Our piano is a beautiful Steinway B Grand, recorded in the hall with 6 dynamic layers and multiple round robins.
The concert harp patch features standard plucks and a unique “glissandi maker” script, which simulates realistic pedaling to produce hundreds of scales you can perform at any length or speed by simply sweeping your controller’s keys up and down.
And no modern all-in-one cinematic solution would be complete without a set of custom sound design and trailer tools for adding instant impact to your score. Palette Orchestra includes over 250 unique hybrid samples in 7 categories – Impacts, Sub-booms, Reverses, Whooshes & Transitions, Risers, Downers and Braaams – all custom created by our team of sound designers. There’s also a dual-layer subtractive synth patch to add extra grit or low-end to the orchestra.
Write beautiful, dramatic, and powerful melodies with 18 melodic patches! This subset of the library includes 12 of the most dramatic and powerful pre-orchestrated combos plus 6 soloists, as selected from the works of our favorite film and classical composers. Each combo was recorded performing together (NOT artificially scripted!). Up to 9 essential articulations per instrument including true legato.
We recorded a soaring violin section playing octaves, regal trumpets with horns, playful flutes & piccolo, creepy bass clarinet & contrabassoon octaves, a gigantic and downright frightening low strings & low brass ensemble and many others. We felt it was also important to include soloists since they are so often used to deliver a melody, so we recorded 6 of those as well. 17 of the 18 instruments in the library have true legato (the exception being our Trombones & Tuba).
You are not, however, limited to using “Melodics” for melodies. The instruments feature up to 12 common articulations (most include 4 different kinds of short notes!) and can therefore also be used for traditional orchestral writing to add unique colors to your compositions.
Our soloists were recorded in standard orchestral seating position with 3 microphone perspectives – close, decca tree and hall. For the combos we added a second close mic (4 total mics) so you have some control of each individual instrument.
We felt there was simply no better way to capture the emotion and subtle nuances of these unique articulations than to record them in their entirety, versus trying to cleverly combine samples to produce artificial phrases. Therefore we went the extra mile and recorded both strings and woodwinds ensembles playing scales in 6 primary modes – Major, Natural Minor, Harmonic Minor, Melodic Minor, Whole Tone and Chromatic – each with up to 13 variations.
There are also 20 kinds of arpeggios in 4 modes – Major, Minor, Diminished and Augmented. Every run/arp has 2 round robins and can be performed in every key and can sync to your host’s tempo. In total, the Runs & Arps tool set includes over 1600 performances!
The modern and easy-to-use GUI always displays the notation for the current run/arp so you can visualize exactly what the orchestra is doing. For composers creating mockups who plan to deliver finished scores to an orchestra, we’ve also included the ability to drag and drop MIDI data for every performance to your DAW. You could also use this to easily layer the performances with other samples.
We’ve added several convenient Settings features like Downbeat Sync, which ensures that the final note of the performance always lands on count 1 of the next measure. Tempo controls allow you to sync to your host tempo or set the BPM manually. The “In Quantize” knob quantizes the start of the performance to the note value of your choice.
Rounding out the patches of Palette is a set of aleatoric FX virtual instruments for media composers and songwriters. We were fortunate to work with three outstanding composers from around the globe (George Strezov, Jongnic Bontemps and Tristan Noon) who collaborated to orchestrate a slew of useful FX for strings, brass, woodwinds and choir in 6 categories – Short, Long, Sting, Texture, Rise and Fall.
Many were recorded by all 4 sections, allowing for easy layering. In total there are over 2,400 unique performances that you can use to provide instant drama, emotion, character and life to your music. Load up one of the 4 section patches and keyswitch through the categories to perform individual samples from your keyboard. Or get creative with the powerful FX Builder patch, which allows you to browse, select and layer up to 4 FX with controls to adjust their volume, pitch and timing.
Symphonic Sketchpad: Woodwinds Full Ensemble
3 oboes, 3 clarinets, 3 bassoons, 3 flutes
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Staccatissimo
- Major Trill
- Minor Trill
Symphonic Sketchpad: Woodwinds Chamber Ensemble
Oboe, clarinet, bassoon, flute
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Staccatissimo
- Major Trill
- Minor Trill
Symphonic Sketchpad: Brass Full Ensemble
3 trumpets, 3 trombones, 3 tubas, 3 french horns
- Sustain
- Sustain Vibrato
- Flutter Tongue
- Marcato
- Tenuto
- Staccato
- Staccatissimo
- Major Trill
- Minor Trill
Symphonic Sketchpad: Brass Chamber Ensemble
2 trumpets, 2 trombones, 2 french horns, 1 tuba
- Sustain
- Sustain Vibrato
- Flutter Tongue
- Marcato
- Tenuto
- Staccato
- Staccatissimo
- Major Trill
- Minor Trill
Symphonic Sketchpad: Strings Full Ensemble
12 first violins, 10 second violins, 8 violas, 6 celli, 4 double basses
- Sustain
- Sustain Vibrato
- Tremolo
- Marcato
- Tenuto
- Staccato
- Spiccato
- Pizzicato
- Major Trill
- Minor Trill
Symphonic Sketchpad: Strings Chamber Ensemble
6 first violins, 5 second violins, 4 violas, 3 celli, 2 double basses
- Sustain
- Sustain Vibrato
- Tremolo
- Marcato
- Tenuto
- Staccato
- Spiccato
- Pizzicato
- Major Trill
- Minor Trill
Symphonic Sketchpad: Women’s Choir
- Sustain “Ah”, “Oh”, “Mm”
- Staccato “Ah”, “Oh”, “Mm”
Symphonic Sketchpad: Men’s Choir
- Sustain “Ah”, “Oh”, “Mm”
- Staccato “Ah”, “Oh”, “Mm”
Symphonic Sketchpad: Percussion
- Gran Casa (Hits + Rolls)
- Concert Snare (Hits + Rolls)
- Concert Toms
- Piatti Cymbals (Crashes + Chokes)
- Suspended Cymbals (Hits, Rolls, Scrapes)
- Tam-Tam (Hits + Rolls)
- Triangle (Hits + Rolls)
- Tambourine (Hits + Rolls)
- Wind Chimes
- Finger Cymbals
- Shaker (Shake + Rolls)
- Temple Blocks (4)
- Glockenspiel
- Marimba
- Crotales
- Xylophone
- Tubular Bells
- Timpani (Hits + Rolls)
Symphonic Sketchpad: Trailer Drums
- Large Drum Ensemble (Hits + Rolls)
- Snare Ensemble (Hits, Rims, Rolls)
- Tom Ensemble (Hits + Rolls)
- Taiko Ensemble (Hits, Rims)
- Tupan Ensemble (Hits + Rolls)
Symphonic Sketchpad: Hand Percussion
- Cajon (Various Techniques)
- Djembe (Various Techniques)
- Bongos (Various Techniques)
- Congas (Various Techniques)
Symphonic Sketchpad: Trailer Tools
- Impacts
- Sub Booms
- Braaams
- Reverses
- Whooses/Transitions
- Risers
- Downers
- Dual-layer Subtractive Synth
Symphonic Sketchpad: Concert Harp
- Plucks
- Glissandi Maker
Symphonic Sketchpad: Grand Piano
Melodics: Violins Octaves
6 first violins, 5 second violins
- True Legato
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Spiccato
- Major Trill
- Minor Trill
Melodics: Violins Octaves (Con Sordino)
6 first violins, 5 second violins
- True Legato
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
Melodics: Celli + Double Basses Octaves
6 celli, 4 double basses
- True Legato
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Spiccato
Melodics: Flutes + Piccolo Octaves
2 flutes, 1 piccolo flute
- True Legato
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Staccatissimo
- Rips
Melodics: Oboe + Bassoon Octaves
1 oboe, 1 bassoon
- True Legato
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Staccatissimo
- Rips
Melodics: Bass Clarinet + Contrabassoon Octaves
1 bass clarinet, 1 contrabassoon
- True Legato
- Sustain
- Marcato
- Tenuto
- Staccato
- Rips
Melodics: Trumpets + Horns Octaves
3 trumpets, 3 french horns
- True Legato
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Staccatissimo
Melodics: Trombones + Tuba Octaves
2 trombones, 1 bass trombone, 1 tuba
- Sustain
- Marcato
- Tenuto
- Staccato
Melodics: 6 Horns
6 french horns
- True Legato
- Sustain
- Marcato
- Tenuto
- Staccato
- Staccatissimo
Melodics: Trumpets Octaves
2 trumpets
- True Legato
- Sustain
- Marcato
- Tenuto
- Staccato
- Staccatissimo
Melodics: Low Brass + Low Strings
2 trombones, 1 bass trombone, 1 tuba, 6 celli, 4 double basses
- True Legato
- Sustain
- Marcato
- Tenuto
- Staccato
- Staccatissimo
Melodics: Horns + Violins Octaves
3 french horns, 6 first violins, 5 second violins
- True Legato
- Sustain
- Marcato
- Tenuto
- Staccato
- Staccatissimo
Melodics: Solo Violin
- True Legato
- Sustain
- Marcato
- Tenuto
- Staccato
- Spiccato
- Pizzicato
Melodics: Solo Cello
- True Legato
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Spiccato
- Pizzicato
- Tremolo
- Measured Tremolo
- Major Trill
- Minor Trill
Melodics: Solo Flute
- True Legato
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Staccatissimo
- Major Trill
- Minor Trill
- Rip
- Double & Triple Tongue
Melodics: Solo Oboe
- True Legato
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Staccatissimo
- Major Trill
- Minor Trill
- Double & Triple Tongue
Melodics: Solo Trumpet
- True Legato
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Staccatissimo
- Major Trill
- Minor Trill
- Rip
- Fall
- Double & Triple Tongue
Melodics: Solo Horn
- True Legato
- Sustain
- Sustain Vibrato
- Marcato
- Tenuto
- Staccato
- Staccatissimo
- Major Trill
- Minor Trill
- Rip
- Fall
- Double & Triple Tongue
Orchestral FX: Strings FX
6 violins, 5 viola, 4 celli, 3 double basses
- Short (stabs, etc)
- Long (looped sustained FX)
- Sting (mid length, oneshot style FX)
- Texture (non-looping sustained FX)
- Rise (FX with upward pitch movement)
- Fall (FX with downward pitch movement)
Orchestral FX: Brass FX
3 trumpets, 3 french horns, 3 trombones, 3 tubas
- Short (stabs, etc)
- Long (looped sustained FX)
- Sting (mid length, oneshot style FX)
- Texture (non-looping sustained FX)
- Rise (FX with upward pitch movement)
- Fall (FX with downward pitch movement)
Orchestral FX: Woodwinds FX
3 flutes, 3 clarinets, 3 oboes, 3 bassoons
- Short (stabs, etc)
- Long (looped sustained FX)
- Sting (mid length, oneshot style FX)
- Texture (non-looping sustained FX)
- Rise (FX with upward pitch movement)
- Fall (FX with downward pitch movement)
Orchestral FX: Choir FX
6 sopranos, 6 altos, 6 tenors, 6 basses
- Short (stabs, etc)
- Longs (looped sustained FX)
- Sting (mid length, oneshot style FX)
- Texture (non-looping sustained FX)
- Rise (FX with upward pitch movement)
- Fall (FX with downward pitch movement)
Runs & Arps: Major
6 first violins, 5 second violins OR flute, oboe, clarinet, 8va piccolo
- Starting on Tonic: 1Up, 1Down, 1Up&Down, 2Up, 2Down, 2Up&Down, 5thUp, 5thDown, 4thUp
- Starting on 5th: 1Up, 1Down, 2Up, 2Down
Runs & Arps: Natural Minor
6 first violins, 5 second violins OR flute, oboe, clarinet, 8va piccolo
- Starting on Tonic: 1Up, 1Down, 1Up&Down, 2Up, 2Down, 2Up&Down, 5thUp, 5thDown, 4thUp
- Starting on 5th: 1Up, 1Down, 2Up, 2Down
Runs & Arps: Harmonic Minor
6 first violins, 5 second violins OR flute, oboe, clarinet, 8va piccolo
- Starting on Tonic: 1Up, 1Down, 1Up&Down, 2Up, 2Down, 2Up&Down, 5thUp, 5thDown, 4thUp
- Starting on 5th: 1Up, 1Down, 2Up, 2Down
Runs & Arps: Melodic Minor
6 first violins, 5 second violins OR flute, oboe, clarinet, 8va piccolo
- Starting on Tonic: 1Up, 1Down, 1Up&Down, 2Up, 2Down, 2Up&Down, 4thUp
- Starting on 5th: 1Up, 1Down, 2Up, 2Down
Runs & Arps: Whole Tone
6 first violins, 5 second violins OR flute, oboe, clarinet, 8va piccolo
- Starting on Tonic: 1Up, 1Down, 1Up&Down, 2Up, 2Down, 2Up&Down, 5thUpDown
Runs & Arps: Chromatic
6 first violins, 5 second violins OR flute, oboe, clarinet, 8va piccolo
- Starting on Tonic: 1Up, 1Down, 1Up&Down, 2Up, 2Down, 2Up&Down
Runs & Arps: Arpeggiated Major
6 first violins, 5 second violins OR flute, oboe, clarinet, 8va piccolo
- Starting on Tonic: 1Up, 1Down
- Starting on 3rd: 1Up, 1Down
- Starting on 5th: 1Up, 1Down
- Starting on 8va: 1Up, 1Down
Runs & Arps: Arpeggiated Minor
6 first violins, 5 second violins OR flute, oboe, clarinet, 8va piccolo
- Starting on Tonic: 1Up, 1Down
- Starting on 3rd: 1Up, 1Down
- Starting on 5th: 1Up, 1Down
- Starting on 8va: 1Up, 1Down
Runs & Arps: Arpeggiated Diminished
6 first violins, 5 second violins OR flute, oboe, clarinet, 8va piccolo
- Starting on Tonic: 1Up, 1Down
Runs & Arps: Arpeggiated Augmented
6 first violins, 5 second violins OR flute, oboe, clarinet, 8va piccolo
- Starting on Tonic: 1Up, 1Down
STRINGS, BRASS, WOODWINDS & CHOIR
- Customizable articulation control system
- Microphone mixer
- Round robin, release trigger and velocity curve controls
- 8-slot FX rack
- Sliders for dynamics, expression and instrument-specific articulations
PERCUSSION
- Per-instrument volume, pan, pitch and amp envelope controls
- Microphone mixer
- Round robin, release trigger and velocity curve controls
- 8-slot FX rack
- Sliders for expression and roll volume (where applicable)
PIANO
- Tone, amp envelope and pedal noise controls
- Microphone mixer
- Round robin, release trigger and velocity curve controls
- 8-slot FX rack
CONCERT HARP
- 2 glissando performance modes, 15 scale types and realistic pedaling system
- Variety of performance controls including bisbigliando, tone and amp envelope
- Microphone mixer
- Round robin and velocity curve controls
- 8-slot FX rack
TRAILER TOOLS
- Wav display with adjustable start/end sliders
- Detailed filter and wobble controls
- 8-slot FX rack
- Sliders for dynamics, expression and instrument-specific articulations
SYNTH
- 22 selectable wav shapes per layer plus various performance controls including glide, unison, velocity and amp envelope
- Detailed filter and wobble controls
- 8-slot FX rack
MELODIC COMBOS AND SOLOISTS
- Customizable articulation control system
- Microphone mixer
- Release volume, round robin and velocity curve controls
- 8-slot FX rack
- Sliders for dynamics, expression and instrument-specific articulations
STRINGS, BRASS, WOODWINDS & CHOIR FX
- 6 categories of FX
- Wav display with adjustable start and end point sliders
- Loop, volume, pan, tune, attack and release controls
- Microphone mixer
- Low pass, high pass, expression (volume) and playback speed controls
- 8-slot FX rack
FX BUILDER
- 4 available layers, each with volume, pan, tuning and loop controls
- Per-layer wav displays with adjustable start and end point sliders
- Per-layer timeline to set when FX are triggered in relation to each other
- Full FX browser
- Microphone mixer
- Low pass, high pass and expression (volume) controls
- 8-slot FX rack
FX BUILDER BROWSER
- Browse by Instrument and Category
- Audition and view waveform for each effect
RUNS & ARPS
- 7 Scale Modes buttons
- Visual notation display
- Drag-and drop MIDI for every run/arp
- Microphone mixer
- Downbeat sync, tempo sync and manual modes and Expression slider controls
- 8-slot FX rack
Reviews
Palette Orchestra Complete – Sound on Sound
“I went into this review expecting a sketch and came out feeling I’d experienced something of a masterpiece. The four libraries are supremely well organised, perfectly integrated and intelligently presented, and the playing is of an exceptionally high standard. A work of art indeed. Congratulations to the musicians and production team. Whether you need an easy-to-use writing tool or want to expand your orchestral armoury with some high quality instruments, I can heartily recommend Palette Symphonic Sketchpad and its three companion titles.”
-Dave Stewart (Sound on Sound)
Palette Orchestra Complete – Professionalcomposers.com
“I am totally blown away with how much content there is in Palette Orchestral Series. The sketchpad alone covers pretty much all you need to compose orchestral music, and with the added brush packs you really get all the colors you need… a full palette indeed!”
Palette Orchestra Complete – Film Score Monthly
“I am knocked out by the Palette line. Even though the main library name implies use in the formative stages of a composition, make no mistake: Symphonic Sketchpad is entirely capable of delivering finished quality results. The full series lives up to its namesake, offering a bounty of colors that can be applied with broad strokes or with a fine touch no matter the canvas, and with truly exceptional results.”
Palette Orchestra Complete – Making Music
“Symphonic Sketchpad’s core Strings, Brass and Woodwinds are superb and evocative patches which lend themselves to ensemble score creation. The overriding feeling is that all the instrument sounds fit together extremely well – as you might expect coming from the same company and being recorded in the same hall. But it’s not just the ambience, it’s the tonal quality which has a cohesive quality so you know whatever combination of instruments and sounds you use in your composition, they will all work together with the minimum of hassle. Many media composers tend to use ensembles both for speed and ease of composition, and Symphonic Sketchpad provides the essential ensembles you need for many orchestral scenarios at a mid price range for an all-in-one orchestra.”
Ian Waugh (Making Music)
Palette Orchestra Complete – Sample Library Review
“It is very bold for a new developer to come on to the scene with 4 new orchestral sample libraries for Kontakt, but that is exactly how Red Room Audio has entered the game. The developer’s flagship libraries cover a very nice range of scoring tools with orchestral sections, legato instruments, orchestral effects, choirs, runs and even a nice set of trailer Brahms and synths. If you’re looking for an affordable set of orchestral tools or a shortcut to “get everything in the same room” I highly recommend you check out what Red Room Audio’s Palette line of orchestral instruments for Kontakt have to offer.”
Don Bodin (Sample Library Review)
Palette Orchestra Complete – Epicomposer.com
“Palette – Symphonic Sketchpad really offers a unique and overarching collection of orchestral instruments. If you are looking for a tool with a wide range of musical possibilities that focuses on modern epic orchestral arrangements and provides extensive effects as well as a careful selection of additional sound design and synth patches, this library could be just the right thing for you.”
Manuel Schmitt (Epicomposer.com)
Palette Orchestra Complete – Beat Magazine
“With a harmonious selection of ensembles and additional instruments, Symphonic Sketchpad is an excellent foundation for orchestral compositions. For composers who already own other orchestral libraries the collection is an inspiring tool for broad strokes thanks to its great sound and intuitive operation.”
Palette Series – Professionalcomposers.com
“Palette Orchestral series was a huge and wonderful surprise for me. Don’t get me wrong, I knew it was good…but I had no idea it would be THIS good. I honestly feel that this is one of the absolute top collections for composers of Orchestral & Cinematic Music. It covers the foundation with Symphonic Sketchpad, adds the lyrical aspect with Palette Melodics, the flare and flow with Palette Runs & Arps, and the final touch with Orchestral FX.”
Palette Series – Making Music
“The Palette series so far is a superbly integrated set of orchestral samples. Red Room Audio’s splash into orchestral sample libraries shows it’s a company with strong ideas about what an orchestral library should contain and without doubt it’s off to a very impressive start.”
Ian Waugh (Making Music)