“With KORON, Impact Soundworks has set up an elaborate production in the field of iranian traditional instruments. Quality instead of quantity would be a part of the conclusion. 10 traditional instruments from Iran expand the music production of world music, ambient and film score production. The simple but clear interface allows the user fast access and parameter setting. For music lovers who want to use traditional Iranian instruments, KORON is highly recommended as the recordings and instruments are elaborately and quality-produced.”

Noizefield (Noizefield)

“Koron is a very unique instrument library that will complement any existing library of world instruments that you may already have in your arsenal. It sounds spectacular and can be a great asset to have for use in film scores when the use of Middle Eastern instruments is desired. The performance patches coupled with any of the 17,000 available patches along with the striking sounds of the percussive instrument of Koron, are sure to make a powerful impact in your music scores and compositions. Highly recommended for sound designers, producers, and any musicians desiring to use high quality Middle Eastern instruments in their music.” (4.75/5)

Synth Guru (gearspace.com)

“…Impact Soundworks takes exacting measures to engage the instrument’s characteristic quirks in ways that allow keyboardists to easily sidestep some of its hurdles…this sample library achieves the sound and performance of a bona fide pedal steel guitar with Nashville tuning. Furthermore, it does it far better than any synth emulation I’ve heard. Impact Soundworks Pedal Steel is the library to beat.”

Marty Cutler (Synth & Software)

“Excellent rendition of this classic Eastern instrument. Very deeply sampled library with multiple Mic position, plus the unique TACT technology for phrasing…If you are working on ethnic pieces that focus on the East this is definitely an instrument to add to your toolbox, or it even fits in well with cinematic pieces like film trailers and such….The Ventus Shakuhachi is a super rendition of this classic instrument. It has been sampled with great detail, and making use of the features such as the flutter, dynamics and ornaments can really bring out the character of the instrument.”

Gary Hiebner (macProVideo.com)

“The effects work well and sound great, and you can easily get along without a separate guitar amp plugin. Right out of the box you’re able to get a convincing distortion and cabinet sound and many other effects. The strumming options are very useful and add to the versatility and realism that this product offers…. Stratus is a very powerful guitar sample library with several goodies under the hood. From its awesome clean tone to its many useful articulations and effects, I doubt you’ll be wishing for anything more.”

Rob Mitchell (SoundBytes Magazine)

“There may come a time when you need something a little different from the norm, no matter if you’re trying to score your next trailer, video game, or add some unique elements to your music tracks, ReForged definitely provides a great collection of content that can be used equally as percussive or tonal elements.”

JK Swopes (Sounds and Gear)

“It’s really interesting how different libraries can fit into different roles, and I’m just loving the way that Pearl just really has such a presence, and it kind of cuts through…it can be really bright, and then it can just be really nice and big and intimate and full, which I really, really appreciate about this library.”

Simeon Amburgey (07/2020)

“The versatility of this instrument and realism of the vibrato and ornaments mean it’s incredibly useable and really, really versatile. Once you to grips with how it works, this is probably the only tin whistle library you’ll ever need. It’s definitely recommended by me.”

The Samplecast (02/2017)

“…this is possibly the best Stratocaster sample library I’ve ever used…”

HIFIMIDI (08/2019)

“This is probably the best acoustic guitar VST I’ve ever found, for Kontakt libraries, the best one in my opinion, because you can make it sound extremely real.”

The Dojo (06/2021)