“The Plectra Series Guzheng does have what it takes to get [sic] build a convincing performance: excellent recordings, captured details and techniques, and plenty of interface control. If you’re willing to dig into this library, I think you’ll find it to be of great value.”

Steven McDonald (Sample Library Review)

“Jazz or pop horns have not been sampled nearly as frequently as classical brass and woodwinds, and have been the biggest hole in my virtual instrument arsenal for years. This library does an excellent job of providing exactly the kind of jazz/pop horns I was looking for. And even if you think that you have your jazz horn samples covered, this library was made by people who really understand the jazz style it’s aiming for, and therefore really nails the requirements of that style.” (9/10)

D Smolken (Bedroom Producers Blog)

“The atmospheric pulses sound great and offer plenty of variety and I love the ambiences, which have such lovely tones and dynamics. The library has many evocative, inspiring sounds, and the Kontakt instruments provide just the right amount of controls to adjust the sounds without getting too complicated. I reckon anyone looking for some quality cinematic sounds definitely check this out!”

Ronnie (Rekkerd.org)

“Products like this are often some of my favorite and I end up using them MUCH more than the bigger, more expensive and wide ranging libraries. They’re fairly small, extremely focused, and provide amazing sounds with just enough controls to be tweakable, yet not overwhelming. Not to mention, the incredibly low price you pay for such amazing content. I can highly recommend Cosmos not only for media composers like myself, but for electronic music producers and more.” (9.25/10)

Brian Freeland (B. Free Productions)

“Part of the attraction of the package is the range and variety of the patterns. If you find one which is close but not exactly right for a project, you can tweak it innumerable ways to get what you want. The other attraction is the actual samples….Of course, given the wealth of manipulation features, you can apply serious processing to the loops, too, just as you wish….If you use rhythmic patterns in your music, and need something more than a repetitive synth or arpeggiated bass line, it’s difficult to see how your music would not benefit from a touch of Momentum.”

Ian Waugh (Making Music)

“I was very impressed with how this all functions beautifully, and with the amazing range of sounds it can create. It is really something to get your creative juices flowing and have some fun creating custom rhythms….If you are looking for your next muse, I can highly recommend Cosmos from Impact Soundworks.”

T. Michael Testi (Blogcritics Magazine)

“Impact Soundworks has done an excellent job here of capturing unique and inspiring organic loops and wrapping them in a very usable and intuitive interface. Composers for any media will definitely want to give it serious consideration and I can also see this being a good tool for artists working in cross-genre styles (think Alt J/Beck/Bon Ivor). Additionally, some of the more ethnic instruments would suit certain world music styles…Momentum can certainly give your tracks what the title of the collection alludes to and using it is simply a lot of fun.”

Sam Burt (Sample Library Review)

“Straight Ahead Jazz Horns V2 has been redesigned with some incredible scipting, all the controls and options you could dream of….[the Smart Voicing Multis] is the highlight for your humble reviewer. The Smart Voicing Multis allow users to load up one of the Kontakt Multis….and trigger intelligent harmonization during playback….Overall I really felt like the strengths of these instruments are playback at softer dynamics.”

Don Bodin (Sample Library Review)

“The most surprising thing about this 8-string guitar library for Kontakt? It is so much more than just a heavy metal guitar. Hydra takes the Shreddage line to another level adding new engine functionality, custom-designed amps and a diverse range of presets.”

Don Bodin (Sample Library Review)

“Now I spent about ten years playing low brass….the thing that got me excited about Bravura is the sounds.”

Sample Library Review (07/2015)