“It sounds exactly like what I’m used to hearing, Muroya Strings x Sound City x Mitsunori Aizawa! The staccato and pizzicato reverberation in particular gave me a sense of Sound City’s unique reverb, and I felt like I was in the Sound City control room. The sound definitely has the sense of Japanese strings and studio, making it easy to use for any kind of music. I believe this library delivers the sound of Japan to the world!”

“But when it comes to smaller section-sized string libraries with a great legato, TSS has become a valid, new contender here that also brings a whole lot of workflow power to the table. If you want that JRPG tone with a smaller, focused ensemble size, for telling musical stories in a big context, then TSS is for you.”

Kevin Kuschel (12/21)

“You can play really nice convincing lead solos on it or really heavy thick rhythms, and it just works, which is great. Everything is within reach, everything’s tweakable, so you’ll have lots of fun with it, and you’ll be making really smashing tracks that basically sound like real guitarists in no time. Because not everyone has a good sounding guitar that they can plug into their audio interface.”

Cory Pelizzari (Solonoid Studio)

“Basically, this thing can replace your guitar. If you’re having troubles setting up a guitar rig, or if you haven’t got the best guitar, or if you just want things to be done nice and easy, this library is perfect for that. I really recommend it for anyone who has any interest in making metal music because there are a lot of good drum sample libraries out there but it’s hard to find a really good guitar library, and this is one of them. Really great stuff.”

Cory Pelizzari (Solonoid Studio)

“Overall, this is a great sounding package for intimate scoring or more general scoring, and the provided sounds have great response and plenty of round-robins, so it’s a really handy library to have. It’s also very reasonably priced, which makes this…a top choice for your first orchestral percussion library or as a solid addition to your collection.”

Cory Pelizzari (Solonoid Studio)

“Ventus Ethnic Winds Pan Flutes sounds spectacular and is the perfect tool when pan flute instruments are required, it’s perfect for inclusion in orchestral scores and other projects…This collection has all the articulations and phrases to keep your workflow moving along. Highly recommended for musicians, producers, and sound designers who are looking to incorporate lively pan flutes into their compositions.” (5/5)

Synth Guru (gearspace.com)

“If you listen to the samples, you will find yourself actually thinking that your [sic] listening to some of your favorite classic metal bands…Shreddage 3 delivers a powerful punch with endless possibilities. If you’re a fan of metal guitars, give this plug-in a try.”

Chris Senner (KeyboardKraze)

“With “Ventus Shakuhachi” you get several times what you pay for, plus the promise of more similar, masterpieces where this came from…If you are like me, and like exotic instruments, produce lots of hip hop or ethnic tracks, or work in film or games, this is almost a must-have. It will make all your Shakuhachi dreams come true, and that without even straining your budget too much.”

(ProducerSpot.com)

“Pearl Concert Grand sounds lovely and plays well, holding its own against competing pianos costing considerably more…There’s enough processing power to design any piano sound you’re likely to need.” (4.5/5)

CM Reviews (Computer Music)

“Soundwise, IBZ succeeds in delivering a tight, bright and aggressive sound that’s suitable for metal, but rock musicians and sound designers shouldn’t disregard it. Reducing the preamp gain is all that’s needed to take the instrument from metal to general rock territory, for example.”

Tom Flint (Sound on Sound)