JRPG Soundtrack Bundle

“With a harmonious selection of ensembles and additional instruments, Symphonic Sketchpad is an excellent foundation for orchestral compositions. For composers who already own other orchestral libraries the collection is an inspiring tool for broad strokes thanks to its great sound and intuitive operation.”

“I went into this review expecting a sketch and came out feeling I’d experienced something of a masterpiece. The four libraries are supremely well organised, perfectly integrated and intelligently presented, and the playing is of an exceptionally high standard. A work of art indeed. Congratulations to the musicians and production team. Whether you need an easy-to-use writing tool or want to expand your orchestral armoury with some high quality instruments, I can heartily recommend Palette Symphonic Sketchpad and its three companion titles.”

-Dave Stewart (Sound on Sound)

“This is absolutely a first-choice drum library for songwriting and music production, as it strikes a great balance between functionality and easy, stress-free usability. Since MIDI loops are not included, knowing a bit about drum programming will make it even more appealing.”

ゆにばす (Computer Music JP)

“This collection is not cheap, but it is large (75GB), of high quality, and with plenty of flexibility. I found TSDK excellent, and with enough sonic variation that I could see myself using it across a wide range of tracks. It can do clean contemporary jazz fusion as easily as dirty vintage rock drums, with the ability to act as the rhythmic core, or as a percussive addition, to electronic/hybrid styles. At the larger end it can also hold its own when outright bombast is required.” (9/10)

Bruce Aisher (Future Music – April 2023)

“This library is simply the best concept. If you are looking for Japanese drum sounds, there is nothing better.”

Watanabe Junya

“It sounds awesome. It sounds really, really good. I am a big fan.
I love how the signal flow is given to you right here, so you can just reference it. That is so handy; just not having to go to a manual. But that’s just a little thing. The sound is what matters. And the sound is fantastic.
I’m not at a shortage for inspiration here, and it’s very easy to find what I want to do to change the sounds. Definitely worth some more deep dives into some of these additional settings, just so I’m more comfortable where things are at. But really, really nice sound.”

(Composing Gloves) (2026-04-21)

“If you wanna make that sick late 90s, early 2000’s hardcore techno, you are covered here.”

“Man you’re gonna have a lot of fun with this, if you’re making that early 90’s, or trying to recreate that 90’s synth sound, this is it! This is the key.”

“This thing is nostalgic; written all over it, written into its code, at its core, at its heart, unbelievable stuff, indeed.”

(Emlyn in the Mix)

“Ventus Series: Shakuhachi delivers a clear and lifelike performance of the instrument and there are plenty of options for customizing various aspects of the sound. The ornaments feature allows for more spontaneous sounding performances that reflect the strengths of the Shakuhachi’s idiomatic sound. Inclusion of a phrase library offers additional sounds to either enhance existing performances of the main instrument or for use as one shot effects or sound design.” (Original Sound Version)

“Good times or hard times, it always comes though. The library has the personality, sound and feel that makes it to the final cut every time. There’s just enough content and depth to handle almost every conceivable guitar part, lead or rhythm.”

Cory Pelizzari with Don Bodin (Sample Library Review)