Furia Staccato Strings

Powerful ensemble string staccatos perfect for tension and drama in film, TV, game, and trailing scoring.

$29

In stock

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Hear Furia Staccato Strings In Action

  1. Our Immortal Souls Andrew Aversa 1:24
  2. He's a Pirate (Tribute) Hans Zimmer (arr. Nabeel Ansari) 1:16
  3. Into the Sunset Henning Nugel 1:34
  4. Fate of the Heavens David Levy 3:13
  5. Furiosity Killed The Cat Brad Jerkins 1:25
  6. Furiosity Killed The Cat (Orchestra Only) Brad Jerkins 1:25

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Video Tutorials & Demos
Impact Soundworks
Furia Staccato Strings - Overview and Demo Walkthrough
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Audio Demos

  1. Our Immortal Souls Andrew Aversa 1:24
  2. He's a Pirate (Tribute) Hans Zimmer (arr. Nabeel Ansari) 1:16
  3. Into the Sunset Henning Nugel 1:34
  4. Fate of the Heavens David Levy 3:13
  5. Furiosity Killed The Cat Brad Jerkins 1:25
  6. Furiosity Killed The Cat (Orchestra Only) Brad Jerkins 1:25

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Copy and paste this code to your site to embed.

Overview

An orchestral library designed for powerful ensemble string staccatos, Furia delivers instant gratification for film, TV, game and trailer scoring. Perfect for epic action string stabs and ostinatos, dramatic builds, and tense underscore rhythms!

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Product Info

Focused and powerful staccatos strings

Recorded in a medium hall with both close and hall mic positions so you can dial in as much space as you want.

Everything in unison

All strings in the orchestra (violins, viola, cellos, basses) recorded in unison – tutti – for a huge sound.

Up to 16x round robin layers

Lots of recorded variations means realistic playback even with fast, repeated notes.

Ready to play out-of-the-box

No special mixing, effects, or keyswitches needed. Just load and play.

Only one dynamic - EPIC

Made for a huge, trailer-ready sound right out of the box.

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Features

Instantly playable for fast, epic results
Ensemble size multiplier 1-8x
Easy envelope + sample shaping controls
Four built-in FX modules
Dozens of reverb options

Requirements

System Requirements
200MB of disk space

7200 RPM hard drive or solid state drive recommended.

4GB of RAM

Higher amounts of memory let you load more instruments.

Kontakt 5.3.1+ Full Version

This library is NOT compatible with the free Kontakt Player.

Kontakt Requirements - Mac OS

Intel Macs (i5 or higher): macOS 10.14, 10.15, 11 or 12 (latest update).
Apple Silicon Macs (via Rosetta 2 & natively on ARM in Standalone or in hosts that support it): macOS 11 or 12 (latest update)

Kontakt Requirements - Windows

Windows 7, Windows 8, or Windows 10 (latest Service Pack, 32/64-bit). Intel Core i5 or equivalent CPU. Graphics hardware support for OpenGL 2.1 or higher. Windows 10 strongly recommended.

Tutorials

Overview and Demo Walkthrough

Featured Artists & Composers

Christopher Gordon

Christopher Gordon

Ladies in Black, Mao’s Last Dancer, Salem’s Lot, Master and Commander

“Impact Soundworks’ range of guitars and fretted instruments sound amazing and are crafted and nuanced with expert detail. Intuitively set up to get straight to composing. And I have a real soft spot for the juicy, screaming Shreddage 3 Hydra!”

Ben Prunty

Ben Prunty

FTL: Faster Than Light, Into the Breach, Subnautica: Below Zero

“I’ve been using ISW since 2015, and their instruments have shown up in Into the Breach and Subnautica Below Zero, and in nearly all of my solo albums. Shreddage helped me fill in the gaps around my own guitar performances. Super Audio Cart provided some great raw synth sounds for parts of Below Zero. Impact Soundworks is often the first place I go to when I’m shopping for a new project. Everything they make works and sounds great.”

Jeff Broadbent 500px

Jeff Broadbent

Assassin’s Creed Identity, Call of Duty Mobile, Resident Evil, Diablo Immortal, Transformers: Dark of the Moon

“ISW creates amazing, creative, and intuitive virtual instruments! I’ve enjoyed using them for over a decade, and they have found their way into many of my music scores. Their wonderfully realistic world instruments showed up in a recent Nexon video game, Shreddage 3 Stratus on the score for Grid, and Super Audio Boy is a favorite for retro sounds, effects, and fun nostalgia. Highly recommended!”


About the Library

String ensemble staccatos are a composer’s best friend. Whether you need to accentuate dramatic rhythms in an action cue, create tension with a repeating ostinato line, build an epic swashbuckling main melody, or weave ominous arpeggiating textures, staccato strings are de facto standard.

Furia is a library tailor-made to deliver that very sound, and ONLY that sound. It is simple and streamlined, with no extraneous features or samples. As soon as you load it up and begin playing, you’ll see the appeal of this elegant design. With no complex UI or exhaustive patch lists, you instead have an instant, highly-versatile staccato sound out-of-the-box.

Use Furia on its own with either (or both) of two included mic positions and a handy FX rack, or layer it with other orchestral sounds like our Bravura Scoring Brass for even more ‘oomph’. Either way, we know you’ll find it a fantastic and very practical tool for your template!



Interface

Ensemble Multiplier
Furia Staccato Strings was recorded with a 22-piece string ensemble. With this control, you can multiply the size of the ensemble up to 8x for an even more epic sound!

Timing Controls
The Ensemble Timing knob controls the amount of random timing variation in the ensemble multiplier, while Sample Offset adjusts the sample playback to be more aggressive (at the cost of some pre-bow noise).

Mic Mixer
Here you can load or unload either of the two included mic positions, plus change or automate their volume & stereo width.

Envelope Shaping
Dial down the decay and sustain for a very tight and aggressive staccato sound, or turn them up with release to let each note ring out.


Reviews

stars
Furia Staccato Strings – Solonoid Studio

“… a massive amount of power in such a small and affordable package. It’s amazing! […] It’s basically straight in your face, so there’s no mucking around. You can’t get lost… It presents itself as, ‘Here I am. Take me. This is what I am.’ … you can start playing as soon as you’re finished downloading and get brilliant ideas. Very unique especially for a library with just one articulation. It’s very, very diverse in its range of uses, its playability, and I highly, highly recommend it, […] It doesn’t matter if you have those [other] libraries. Still pick [it] up because it’s very useful.” Cory Pelizzari (Solonoid Studio)