Testimonials
Read what reviewers and top composers have to say about our products.
Top Reviews
MB Gordy Percussion – Boobams – Sample Library Review
“I’m loving the instrument. It’s melodic percussion, but it really does kinda take it out somewhere real special with the console and the fx chains you can use; the snapshots are really great. And of course, this is the first time this instrument’s been recorded, and it is a secret weapon.”
Don Bodin (Sample Library Review)
GameVerb – Happy Mag
“GameVerb captures the distinctive ambience of classic consoles, offering reverb modes inspired by the SNES, N64 and PlayStation. Each delivers its own space, from clean 16-bit reflections to lo-fi grit with nostalgic charm.
[T]he interface is straightforward, and Geek Mode opens extra parameters for precise tweaking. GameVerb is equal parts fun and functional, ideal for producers and sound designers who want character over realism. It delivers that unmistakable ambience of classic gaming without any fuss.”
Chro-Nyx – Composing Gloves
“It sounds awesome. It sounds really, really good. I am a big fan.
I love how the signal flow is given to you right here, so you can just reference it. That is so handy; just not having to go to a manual. But that’s just a little thing. The sound is what matters. And the sound is fantastic.
I’m not at a shortage for inspiration here, and it’s very easy to find what I want to do to change the sounds. Definitely worth some more deep dives into some of these additional settings, just so I’m more comfortable where things are at. But really, really nice sound.”
(Composing Gloves) (2026-04-21)
Water Piano – Simeon Amburgey
“I’m really surprised at all of the dynamic layers that you can get into it. It’s kind of like a muted piano, but the mute is because of the physical water is in there, muting the strings and the damper…it’s unusual, but beautiful…”
Water Piano – The Sampleist
“It’s very versatile considering all the effects you can put into it, the ways you can change and wrangle the sound, and influence it. I really think this is a library that really opens the door to more sound design options for a piano within the library itself. To be honest, I think for the money, it’s well worth it, especially if you’re willing to take some time to really toy with the sound and record your own…You can really make some high-quality stuff that can be used in films, games, trailers, you name it. I already saved a patch while doing this video and I can see myself doing more.”
Tape Sculptor – Czar
“…while it has the features you would expect from a tape plug-in, this one goes a lot further giving you a lot more options and ability to tweak and alter your sound than really any other tape plug-in that I have seen…this ‘Degrade,’ ‘Chew,’ ‘Loss’ – not something that I would reach for a lot, obviously using a tape plug-in, but if you have this, it’s nice to have that option because some of those things that, I feel like you never know when you would need it, especially if you’re looking to create a interesting effect. So definitely this goes well past what typical tape plug-ins do, making me a fan of it.”
(Czar)
Tape Sculptor – Tim Talks Audio
“But really, there’s a lot of flexibility, there’s a lot of different things you can do within Tape Sculptor, but you don’t have to; you can engage or disengage any of the different modules to get the sound you’re going for…”
Tape Sculptor – Implied Music
“The harder you drive it, the more it responds and the saturation and compressor starts to act differently…it’s replacing things that I might do with EQ and compression, but in a really interesting, specific way and it’s sort of program-material specific…I like digital gear that acts analog; that you can push too hard, that you can break. That responds in a way that feels lively and animated that helps my performing.”
Tokyo Scoring Drum Kits – Watanabe Junya
“This library is simply the best concept. If you are looking for Japanese drum sounds, there is nothing better.”
Tokyo Scoring Drum Kits – DTMer
“Compared to libraries like Addictive Drums, BFD, Superior Drummer and others like them, the raw sound of [TSDK] stands out in a good way with the drum & room tone… These kits are overflowing with technique. Combined with the drum ensemble, you can create music exactly like top Japanese productions.”
(DTMer)
Tokyo Scoring Drum Kits – Rock oN Company
“If you’re looking for a professional drum sound that is both versatile and shining with individuality, TSDK is a perfect choice showcasing Japan’s legendary drum sounds.”
-Scfed Ibe (Rock oN Company)
Rosette Fingerstyle – Future Music
“…the key to getting a realistic performance with Rosette is understanding the interface and making use of the many features available…Certainly, Rosette Fingerstyle is more than capable of excellent results – and the Taylor has been nicely captured – but to make the most of this instrument a little more work is required by the user.” (7.8/10)
Bruce Aisher (Future Music – February 2023)
Tokyo Scoring Drum Kits – Future Music
“This collection is not cheap, but it is large (75GB), of high quality, and with plenty of flexibility. I found TSDK excellent, and with enough sonic variation that I could see myself using it across a wide range of tracks. It can do clean contemporary jazz fusion as easily as dirty vintage rock drums, with the ability to act as the rhythmic core, or as a percussive addition, to electronic/hybrid styles. At the larger end it can also hold its own when outright bombast is required.” (9/10)
Bruce Aisher (Future Music – April 2023)
