ReForged: Cinematic Metallic Sound Design

Cutting-edge sound design, made from commonplace metals.

US$79

In stock

Transformative Sound Design
Endless Sonic Variety
Versatile Synth Engine
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Easy-to-Use Interface

Hear ReForged: Cinematic Metallic Sound Design In Action

  1. Vulcan (Naked) Blake Ewing 0:54
  2. The Edge (Dressed - orchestra & piano) Dmitry Selipanov 2:34
  3. Depths Unknown (Dressed) Brad Jerkins 2:41
  4. Waiting for the Storm (Dressed - guitar & bass) Ian Dorsch 2:18
  5. Cooking Iron (Naked) Abel Vegas 0:43
  6. This Could Be the End (Dressed) Nicolas Felix 2:16
  7. Spaceman X! (Dressed) Kurt M. Landre 1:08
  8. Silver Linings No. 2 (Dressed - Celestia) Henning Nugel 2:47
  9. Vulcan (Dressed) Blake Ewing 0:54
  10. Total Recall (Dressed) Max Zhdanov 3:05
  11. Machines Break the Beat (Naked) Daniel Szwedek 1:54
  12. Total Recall (Naked + acoustic drumkit) Max Zhdanov 3:04
  13. Depths Unknown (Naked) Brad Jerkins 2:41
  14. Silver Linings No. 2 (Naked) Henning Nugel 2:39
  15. This Could Be the End (Naked + Turkish Oud) Nicolas Felix 2:16
  16. Machines Break the Beat (Dressed) Daniel Szwedek 1:54
  17. Spaceman X! (Naked) Kurt M. Landre 1:08

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Video Tutorials & Demos
Impact Soundworks
ReForged: Cinematic Metallic Sound Design - Introduction & Walkthrough
1 out of 2

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Audio Demos

  1. Vulcan (Naked) Blake Ewing 0:54
  2. The Edge (Dressed - orchestra & piano) Dmitry Selipanov 2:34
  3. Depths Unknown (Dressed) Brad Jerkins 2:41
  4. Waiting for the Storm (Dressed - guitar & bass) Ian Dorsch 2:18
  5. Cooking Iron (Naked) Abel Vegas 0:43
  6. This Could Be the End (Dressed) Nicolas Felix 2:16
  7. Spaceman X! (Dressed) Kurt M. Landre 1:08
  8. Silver Linings No. 2 (Dressed - Celestia) Henning Nugel 2:47
  9. Vulcan (Dressed) Blake Ewing 0:54
  10. Total Recall (Dressed) Max Zhdanov 3:05
  11. Machines Break the Beat (Naked) Daniel Szwedek 1:54
  12. Total Recall (Naked + acoustic drumkit) Max Zhdanov 3:04
  13. Depths Unknown (Naked) Brad Jerkins 2:41
  14. Silver Linings No. 2 (Naked) Henning Nugel 2:39
  15. This Could Be the End (Naked + Turkish Oud) Nicolas Felix 2:16
  16. Machines Break the Beat (Dressed) Daniel Szwedek 1:54
  17. Spaceman X! (Naked) Kurt M. Landre 1:08

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Overview

An ultra-expressive and deep collection of found metallic percussion recorded in the Welsh countryside, accompanied by a treasure trove of sound design material: cinematic impacts, textures, atmospheres, loops, beds, tonal elements and beyond. Presented in a KONTAKT synth engine along with raw WAV/REX2 oneshots and loops!

Requires the full, paid version of Kontakt. Will not work with the free Kontakt Player.

Product Info

Over 1,900+ natural and design sounds

Includes the raw metals recorded using a variety of performance techniques, as well as a wide variety of designed sounds such as impacts, sweeps, noises, rhythmic loops, dark textures, and beyond.

Dozens of deep-sampled found metal objects

Metal shovels, rakes, a tin bath, gas canisters, and much more, sampled every way possible.

Hundreds of cinematic impacts and hits

Professional quality sound design provided by producer Ali Lacey and sound designer Histibe. Impact samples from distorted, to heavy, to tense.

Textures, atmospheres, FX and noises

Designed ambiences that can fit into a wide variety of projects, and give tracks a unique flair.

Tonal elements, transitions, and synths

Chromatic instruments ranging from airy to atmospheric, with a distinctly metallic character always at the heart of the sound.

ReForged Vertical Page Image (1)

Features

Inspiring & sleek UI w/ synth engine
Custom FX rack with internal presets
Flexible sequencer / gate for rhythmic pulses
Includes WAV and REX2 files

Requirements

System Requirements
5GB of disk space (Kontakt + WAV versions combined)

7200 RPM hard drive or solid state drive recommended.

4GB of RAM

Higher amounts of memory let you load more instruments.

Core i3 or equivalent processor

A faster CPU with more cores will allow you to play more simultaneous voices.

Kontakt 5.5.1+ Full Version

This library is NOT compatible with the free Kontakt Player.

Kontakt Requirements - Mac OSX

Intel Macs (i5 or higher): macOS 10.14, 10.15, 11 or 12 (latest update).
Apple Silicon Macs (via Rosetta 2 & natively on ARM in Standalone or in hosts that support it): macOS 11 or 12 (latest update)

Kontakt Requirements - Windows

Windows 7, Windows 8, or Windows 10 (latest Service Pack, 32/64-bit). Intel Core i5 or equivalent CPU. Graphics hardware support for OpenGL 2.1 or higher. Windows 10 strongly recommended.

Tutorials

Introduction & Walkthrough

SoundsAndGear.com Review

Featured Artists & Composers

Neal Acree

Neal Acree

World of WarCraft, Diablo III, StarCraft II, Overwatch

“Impact Soundworks has some of the most creative and innovative libraries out there. From world instruments to the insanely deep sampled Shreddage guitar series the Impact catalog is full of must-haves and unexpected and inspiring surprises. Highly recommended!

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Jimmy Hinson

Black Ops 4, Mass Effect 2, There Came An Echo, Borderlands 2

“Between Shreddage, Super Audio Cart, Juggernaut, and Mega Brass I don’t remember the last time I haven’t used an Impact Soundworks instrument in a track. The attention to detail is astonishing and it’s all so easy to use out of the box, which is a big deal.”

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Brian Pickett

PAW Patrol, Lucas the Spider, Daniel Tiger

“I never would have thought that sampled guitars could sound as good as ISW’s do. The fact that I can use them to lay down a realistic solo is unprecedented. They’ve pushed the boundaries of realism.”


About the Library

ReForged: Cinematic Metallic Sound Design, our third virtual instrument focusing on unique, hybrid sounds for modern film, TV, and game composer. Recorded and produced by sound designer Ali Lacey, ReForged explores the world of forgotten metals captured in a shed within the quiet countryside of South Wales… and as the name suggests, transforms them into something entirely new.

Cutting-edge sound designer and producer Histibe contributed his talents, co-producing a huge array of warped, shifted, morphed and mutated material for the library, among other guest designers.

ReForged features an array of found metal objects performed as if they were percussive instruments: an old cooker, metal shovels, rakes, a tin bath, gas canisters, and much more. These unique objects were hammered, struck, tapped, and resonated using a wide variety of both conventional and not-so-conventional techniques. From this pool of beautifully-captured natural recordings, we crafted a new collection of designed material – cinematic impacts, sweeps, noises, rhythmic loops, glitches, sub strikes, tonal atmospheres, dark textures, and beyond.

To tie the natural and designed worlds of ReForged together, we have presented the library as a complete WAV collection (nearly 2,000 sounds) and a set of Kontakt patches with a custom made sound engine. From subtle tweaks to dramatic alterations, the interface of ReForged: Cinematic Metallic Sound Design will provide you with endless variation and inspiration for your compositions.



Interface & Engine

The ReForged interface contains a plethora of controllable parameters, effects units, and a simple but powerful step sequencer. With all of these tools at your disposal in a sleek one page layout, you’ll quickly become lost in shaping sounds with as much detail and control as you desire. For those on a deadline, without time for fine tuning, the “out-of-box” sound of ReForged is just as heavy hitting and full of life.


Reviews

stars
ReForged – Film and Game Composers

“ReForged is a must-have if you are in need of a hybrid scoring tool for modern trailers. For the price, you get a well designed and easy to use library, well worth every penny, and a no-brainer.”

Panos Kolias (Film and Game Composers)

stars
ReForged – Sounds And Gear

“There may come a time when you need something a little different from the norm, no matter if you’re trying to score your next trailer, video game, or add some unique elements to your music tracks, ReForged definitely provides a great collection of content that can be used equally as percussive or tonal elements.”

JK Swopes (Sounds and Gear)