Mega Brass
Mega Brass
Massive, layered hybrid orchestral brass for instantly epic sounds.
Massive, layered hybrid orchestral brass for instantly epic sounds.
$29
$29
Hear Mega Brass In Action
Hear Mega Brass In Action
- It's Coming Will Bedford 1:11
- Galaxies Collide (Dressed) Andrew Aversa 1:06
- The Abyss Brad Jerkins 1:05
- Megasaurus Henning Nugel 2:00
- Sentinels David Levy 2:07
- Event Horizon Christian Yoder 1:41
- Sublime Pixelee 1:43
- Truestone Titanio 1:22
- Galaxies Collide (Full, Dressed) Andrew Aversa 1:27
- Galaxies Collide (Naked) Andrew Aversa 1:06
- Sublime (Naked) Pixelee 1:43
Reviews
Simon Franglen
Titanic, Skyfall, Spectre, Avatar, Avatar: The Way of Water
Impact Soundworks make detailed, emotive instruments. I’ve happily bought over two dozen of their libraries which should say everything. They get used every day.
Mark Portmann
Ariana Grande, Luis Fonsi, Celine Dion, Quincy Jones
"[ISW]'s instruments consistently deliver the sound, feel, and reliability I need to do my best work. Thank you for raising the bar and making tools that inspire."
Neal Acree
World of WarCraft, Diablo III, StarCraft II, Overwatch
"Impact Soundworks has some of the most creative and innovative libraries out there. From world instruments to the insanely deep sampled Shreddage guitar series the Impact catalog is full of must-haves and unexpected and inspiring surprises. Highly recommended!
Stewart Winter
Co-founder, VideoHelper
"I'm a keyboard player -- I can't even make a REAL guitar sound convincing. But Telos and Rosette are my go-to guitars because they sound incredible, sit well in a mix and are so easy to configure to my personal playing habits. I'm constantly discovering new ways to play them and they've saved my ass more times than I can count. And the pedal Steel is still my favorite library of its kind for Country, Folk and organic layering behind synths."
Brian Pickett
PAW Patrol, Lucas the Spider, Daniel Tiger
"I never would have thought that sampled guitars could sound as good as ISW's do. The fact that I can use them to lay down a realistic solo is unprecedented. They’ve pushed the boundaries of realism."
Rosette Mandolin – Sound on Sound
Rosette Mandolin review
"The sound of the library is very pleasing...the more I used the library the more I felt I was learning how to write idiomatically for the instrument." "Rosette Mandolin provides a good sound that could have many applications, with versatile input options that cater to writing realistic mandolin lines, impossible 5+ note chords and everything in between." Thomas Field, September 2024
Richard Jacques
Marvel's Guardians of the Galaxy, Mass Effect, Overwatch 2, James Bond 007: Blood Stone
"I'm a huge fan of the Ventus Winds series. They feature rare instruments deep-sampled to an incredibly high level of detail. It's so liberating to have such a wide range of articulations & phrases that perfectly capture the nuances and performance style of these instruments... from beautiful to haunting, celebratory to sorrowful. Each is expertly recorded and the sound quality is superb, sitting in the mix with ease. If you want to add authentic world winds to your palette, then look no further."
Kevin Manthei
Angry Birds Mystery Island, Marvel’s Spider-Man, Villainous, Neverwinter, Star Trek Online
"ISW creates some of the most inspiring & realistic guitar sample libraries. I had to write a bunch of really gritty, angry heavy metal & sports action rock cues. I used Shreddage 3 Serpent for leads and was blown away by its onboard processing, programming, and amazing live-sounding leads. I also created a signature sound based on the lead guitar in David Lynch's Twin Peaks series, originally played on baritone guitar. [Serpent] built a convincing replica of that sound just using on-board FX. It was so fun and easy to do!"
Audio Demos
- It's Coming Will Bedford 1:11
- Galaxies Collide (Dressed) Andrew Aversa 1:06
- The Abyss Brad Jerkins 1:05
- Megasaurus Henning Nugel 2:00
- Sentinels David Levy 2:07
- Event Horizon Christian Yoder 1:41
- Sublime Pixelee 1:43
- Truestone Titanio 1:22
- Galaxies Collide (Full, Dressed) Andrew Aversa 1:27
- Galaxies Collide (Naked) Andrew Aversa 1:06
- Sublime (Naked) Pixelee 1:43
Overview
Over-the-top hybrid orchestral brass with huge, super-processed acoustic sounds and 9 enormous (we might even say apocalyptic!) synth layers. An instantly huge “wall of brass” sound that’s perfect for film/TV/game and trailer scoring, or any context where power, not nuance, reigns supreme.
Over-the-top hybrid orchestral brass with huge, super-processed acoustic sounds and 9 enormous (we might even say apocalyptic!) synth layers. An instantly huge “wall of brass” sound that’s perfect for film/TV/game and trailer scoring, or any context where power, not nuance, reigns supreme.
Product Info
Super acoustic orchestral brass
Pre-mixed ensemble brass with tuba, trumpets, french horns, and flugelhorn with a rich sound.
9 enormous synth layers
Atomic Saw, Dragon Breath, Android War, Cone Crusher, and more. Aptly-named for their huge, over-the-top processed sound.
Up to 3x acoustic RR
Maintain realism on repeated notes… not that this library is intended to be 100% realistic!
Sustain, marcato, staccato
These articulations are synchronized between the acoustic and synth layers.
... MEGA BRASS!
It sounds ridiculously huge and epic!
Super acoustic orchestral brass
Pre-mixed ensemble brass with tuba, trumpets, french horns, and flugelhorn with a rich sound.
9 enormous synth layers
Atomic Saw, Dragon Breath, Android War, Cone Crusher, and more. Aptly-named for their huge, over-the-top processed sound.
Up to 3x acoustic RR
Maintain realism on repeated notes… not that this library is intended to be 100% realistic!
Sustain, marcato, staccato
These articulations are synchronized between the acoustic and synth layers.
... MEGA BRASS!
It sounds ridiculously huge and epic!
Features
Instant huge sound out of the box
One-click extra hype knob
Easy synth layer mixing
All tweaks on one screen
FX rack for extra processing
Instant huge sound out of the box
One-click extra hype knob
Easy synth layer mixing
All tweaks on one screen
FX rack for extra processing
Requirements
700MB of disk space
7200 RPM hard drive or solid state drive recommended.
4GB of RAM
Higher amounts of memory let you load more instruments.
Kontakt 5.3.1+ Full Version
This library is NOT compatible with the free Kontakt Player.
Kontakt Requirements - Mac OSX
Intel Macs (i5 or higher): macOS 10.14, 10.15, 11 or 12 (latest update).
Apple Silicon Macs (via Rosetta 2 & natively on ARM in Standalone or in hosts that support it): macOS 11 or 12 (latest update)
Kontakt Requirements - Windows
Windows 7, Windows 8, or Windows 10 (latest Service Pack, 32/64-bit). Intel Core i5 or equivalent CPU. Graphics hardware support for OpenGL 2.1 or higher. Windows 10 strongly recommended.
Tutorials
Walkthrough & Overview
Featured Artists & Composers
Neal Acree
World of WarCraft, Diablo III, StarCraft II, Overwatch
“Impact Soundworks has some of the most creative and innovative libraries out there. From world instruments to the insanely deep sampled Shreddage guitar series the Impact catalog is full of must-haves and unexpected and inspiring surprises. Highly recommended!
Christopher Gordon
Ladies in Black, Mao’s Last Dancer, Salem’s Lot, Master and Commander
“Impact Soundworks’ range of guitars and fretted instruments sound amazing and are crafted and nuanced with expert detail. Intuitively set up to get straight to composing. And I have a real soft spot for the juicy, screaming Shreddage 3 Hydra!”
Lena Raine
Celeste, Chicory, Minecraft, Guild Wars 2, Deltarune
Instruments from ISW are a staple of my soundtrack work for games. Vocalisa has been a mainstay vocal aesthetic of nearly every game I’ve worked on including Celeste & Chicory: A Colorful Tale. Shreddage 3 has also given me the confidence to write some really fun guitar riffs & solos despite not being able to play a real one. I’ve started incorporating Tokyo Scoring Strings into the acoustic side of my scoring work, and can’t wait to try out more from ISW in the future!
Featured Artists & Composers
ShadyCicada
“Impact Soundworks software is an absolute mainstay in my work when it comes to Video Game and Anime-inspired tracks! The amount of ease and wonderful sounds these plugins offer allows me to get straight into writing and brainstorming.”
Neal Acree
World of WarCraft, Diablo III, StarCraft II, Overwatch
“Impact Soundworks has some of the most creative and innovative libraries out there. From world instruments to the insanely deep sampled Shreddage guitar series the Impact catalog is full of must-haves and unexpected and inspiring surprises. Highly recommended!
Matthew Carl Earl
Overwatch 2, Rainbow Six Siege, Call of Duty Mobile, PUBG Mobile, Arknights
“Impact Soundworks creates easy-to-use, great-sounding virtual instruments right out of the box. Highland Harps, Emotional Mallets, and Shreddage 3 are in my daily toolkit.”
Great music is all about dynamics, nuance, and subtlety. But sometimes it isn’t! For those times, we created Mega Brass. This over-the-top virtual instrument offers “wall of sound” super-processed orchestral brass that can cut straight through a mix, along with a set of 9 apocalyptic hyper-synths that can be mixed in to create the ultimate hybrid brass sound.
The ridiculously huge sound of Mega Brass is ideal for epic trailer music, but it also works in other styles where restrained, refined and subtle orchestral brass simply doesn’t cut it. For example, huge EDM swells, heavy metal backing tracks, or DNB breakdowns.
You will not find the traditional array of delicate tweaks and adjustments in this library. Instead, we give you easy tools for layering, mixing, and FX, along with three core articulations: sustain, marcato, and staccato. Most importantly, everything is very easy to use so you can herald the end of the world and send chills up your audience’s spine with just a single key press.
Reviews
Mega Brass – Sample Library Review
“The true potential of the library lies in it’s profound capability to sit in a mix with other brass libraries…The library would certainly fit the likes of a trailer composer over a film composer because of it’s intense, aggressive, and quite intrusive sound. Yet, the library brings something new that is different, but also similar to some of it’s recent competition.”
Ashton Gleckman (Sample Library Review)
Mega Brass – The Samplecast
“I found the sound was huge, especially when you start adding additional octaves which are easy to dial-in within the interface itself. Also, I enjoyed using the central hype knob to punish the sound and make it even fatter and more aggressive. The core brass and synth sounds are good, and I can imagine myself using this for hard-hitting trailer pieces.”
The Samplecast (02/2017)