Impact Steel: Cinematic Metallic Percussion
Impact Steel: Cinematic Metallic Percussion
Highly detailed and expressive "found" percussive sounds.
Highly detailed and expressive "found" percussive sounds.
$49
$49
Hear Impact Steel: Cinematic Metallic Percussion In Action
Hear Impact Steel: Cinematic Metallic Percussion In Action
- Clairvoyant Steven Burns 1:09
- Demo 1 Wilbert Roget, II 0:55
- Demo 1 (Dry) Wilbert Roget, II 0:55
- Clang Ensemble Wilbert Roget, II 0:32
- FX Demo Wilbert Roget, II 0:47
- Cinematic Action Cue Wilbert Roget, II 0:34
- Epic Action Cue Wilbert Roget, II 0:37
Reviews
Simon Franglen
Titanic, Skyfall, Spectre, Avatar, Avatar: The Way of Water
Impact Soundworks make detailed, emotive instruments. I’ve happily bought over two dozen of their libraries which should say everything. They get used every day.
Mark Portmann
Ariana Grande, Luis Fonsi, Celine Dion, Quincy Jones
"[ISW]'s instruments consistently deliver the sound, feel, and reliability I need to do my best work. Thank you for raising the bar and making tools that inspire."
Neal Acree
World of WarCraft, Diablo III, StarCraft II, Overwatch
"Impact Soundworks has some of the most creative and innovative libraries out there. From world instruments to the insanely deep sampled Shreddage guitar series the Impact catalog is full of must-haves and unexpected and inspiring surprises. Highly recommended!
Stewart Winter
Co-founder, VideoHelper
"I'm a keyboard player -- I can't even make a REAL guitar sound convincing. But Telos and Rosette are my go-to guitars because they sound incredible, sit well in a mix and are so easy to configure to my personal playing habits. I'm constantly discovering new ways to play them and they've saved my ass more times than I can count. And the pedal Steel is still my favorite library of its kind for Country, Folk and organic layering behind synths."
Brian Pickett
PAW Patrol, Lucas the Spider, Daniel Tiger
"I never would have thought that sampled guitars could sound as good as ISW's do. The fact that I can use them to lay down a realistic solo is unprecedented. They’ve pushed the boundaries of realism."
Rosette Mandolin – Sound on Sound
Rosette Mandolin review
"The sound of the library is very pleasing...the more I used the library the more I felt I was learning how to write idiomatically for the instrument." "Rosette Mandolin provides a good sound that could have many applications, with versatile input options that cater to writing realistic mandolin lines, impossible 5+ note chords and everything in between." Thomas Field, September 2024
Richard Jacques
Marvel's Guardians of the Galaxy, Mass Effect, Overwatch 2, James Bond 007: Blood Stone
"I'm a huge fan of the Ventus Winds series. They feature rare instruments deep-sampled to an incredibly high level of detail. It's so liberating to have such a wide range of articulations & phrases that perfectly capture the nuances and performance style of these instruments... from beautiful to haunting, celebratory to sorrowful. Each is expertly recorded and the sound quality is superb, sitting in the mix with ease. If you want to add authentic world winds to your palette, then look no further."
Kevin Manthei
Angry Birds Mystery Island, Marvel’s Spider-Man, Villainous, Neverwinter, Star Trek Online
"ISW creates some of the most inspiring & realistic guitar sample libraries. I had to write a bunch of really gritty, angry heavy metal & sports action rock cues. I used Shreddage 3 Serpent for leads and was blown away by its onboard processing, programming, and amazing live-sounding leads. I also created a signature sound based on the lead guitar in David Lynch's Twin Peaks series, originally played on baritone guitar. [Serpent] built a convincing replica of that sound just using on-board FX. It was so fun and easy to do!"
Audio Demos
- Clairvoyant Steven Burns 1:09
- Demo 1 Wilbert Roget, II 0:55
- Demo 1 (Dry) Wilbert Roget, II 0:55
- Clang Ensemble Wilbert Roget, II 0:32
- FX Demo Wilbert Roget, II 0:47
- Cinematic Action Cue Wilbert Roget, II 0:34
- Epic Action Cue Wilbert Roget, II 0:37
Overview
A highly expressive percussion library containing metal hits and “found” percussive sounds, sampled and programmed with a level of detail normally reserved for acoustic drum kits. Rolls, taps, clicks, subs and textures. Now updated to version 2!
A highly expressive percussion library containing metal hits and “found” percussive sounds, sampled and programmed with a level of detail normally reserved for acoustic drum kits. Rolls, taps, clicks, subs and textures. Now updated to version 2!
Product Info
6 main instrument patches
8 special patches
16 special FX patches
Large and small metal objects
Rolls, hits, scrapes, tremolo
24-bit stereo recordings
Up to 7 dynamics, 3 RR
6 main instrument patches
8 special patches
16 special FX patches
Large and small metal objects
Rolls, hits, scrapes, tremolo
24-bit stereo recordings
Up to 7 dynamics, 3 RR
Features
Left/Right hand mappings
Individual + master patches
One-click easy FX
Tweakable ensemble (unison) maker
3-band EQ for tone shaping
Adjustable space, reverb + width
Left/Right hand mappings
Individual + master patches
One-click easy FX
Tweakable ensemble (unison) maker
3-band EQ for tone shaping
Adjustable space, reverb + width
Requirements
300MB of disk space
7200 RPM hard drive or solid state drive recommended.
Kontakt 4.2.4+ Full Version
This library is NOT compatible with the free Kontakt Player.
Kontakt Requirements - Mac OSX
Intel Macs (i5 or higher): macOS 10.14, 10.15, 11 or 12 (latest update).
Apple Silicon Macs (via Rosetta 2 & natively on ARM in Standalone or in hosts that support it): macOS 11 or 12 (latest update)
Kontakt Requirements - Windows
Windows 7, Windows 8, or Windows 10 (latest Service Pack, 32/64-bit). Intel Core i5 or equivalent CPU. Graphics hardware support for OpenGL 2.1 or higher. Windows 10 strongly recommended.
Featured Artists & Composers
Richard Jacques
Marvel’s Guardians of the Galaxy, Mass Effect, Overwatch 2, James Bond 007: Blood Stone
“I’m a huge fan of the Ventus Winds series. They feature rare instruments deep-sampled to an incredibly high level of detail. It’s so liberating to have such a wide range of articulations & phrases that perfectly capture the nuances and performance style of these instruments… from beautiful to haunting, celebratory to sorrowful. Each is expertly recorded and the sound quality is superb, sitting in the mix with ease. If you want to add authentic world winds to your palette, then look no further.”
Ben Prunty
FTL: Faster Than Light, Into the Breach, Subnautica: Below Zero
“I’ve been using ISW since 2015, and their instruments have shown up in Into the Breach and Subnautica Below Zero, and in nearly all of my solo albums. Shreddage helped me fill in the gaps around my own guitar performances. Super Audio Cart provided some great raw synth sounds for parts of Below Zero. Impact Soundworks is often the first place I go to when I’m shopping for a new project. Everything they make works and sounds great.”
Stewart Winter
(Co-founder, VideoHelper)
“I’m a keyboard player — I can’t even make a REAL guitar sound convincing. But Telos and Rosette are my go-to guitars because they sound incredible, sit well in a mix and are so easy to configure to my personal playing habits. I’m constantly discovering new ways to play them and they’ve saved my ass more times than I can count. And the pedal Steel is still my favorite library of its kind for Country, Folk and organic layering behind synths.”
Featured Artists & Composers
Brian Pickett
PAW Patrol, Lucas the Spider, Daniel Tiger
“I never would have thought that sampled guitars could sound as good as ISW’s do. The fact that I can use them to lay down a realistic solo is unprecedented. They’ve pushed the boundaries of realism.”
Christopher Gordon
Ladies in Black, Mao’s Last Dancer, Salem’s Lot, Master and Commander
“Impact Soundworks’ range of guitars and fretted instruments sound amazing and are crafted and nuanced with expert detail. Intuitively set up to get straight to composing. And I have a real soft spot for the juicy, screaming Shreddage 3 Hydra!”
Matthew Carl Earl
Overwatch 2, Rainbow Six Siege, Call of Duty Mobile, PUBG Mobile, Arknights
“Impact Soundworks creates easy-to-use, great-sounding virtual instruments right out of the box. Highland Harps, Emotional Mallets, and Shreddage 3 are in my daily toolkit.”
Impact Steel was intended to fill a gap found in popular commercial sound libraries. While several other products have metal hits and “found” percussion, none are extensively sampled and usable as individual, expressive instruments. The goal of this project was therefore to create a unique, detailed, and playable library with the same amount of multisampled detail one would expect from a high end percussion bank.
There are six main patches, eight special/alternately-mapped patches, and sixteen FX patches in all, totaling 73 articulations of extensively multisampled hits, scrapes, rolls, and designed textures. The instruments were recorded in a medium-sized recording booth, insulated yet retaining some ambience and “air” in the samples; this facilitates mixing for small ensembles and rooms as well as large orchestral forces.
Impact Steel was designed to be as playable as possible, on both drum controllers as well as MIDI keyboards. As such, all main patches are keymapped without overlap, and can be loaded on a single channel for instant playability of all instruments. On a MIDI keyboard, hits are mapped to black keys, while scrapes, rolls, and tremolos are mapped to white keys. This increases ease of playing for composers without dedicated drum controllers.
An additional set of “L/R” patches is included as well, with left/right hand hits separated onto adjacent notes to facilitate playing fast passages.
Reviews
Impact: Steel – The Audio Spotlight
“All the sounds in this collection could probably be classified as found sounds, but Impact’s imaginative sound designers got much more creative than simply hitting things and calling it a day. The FX Patches, in particular, supply a veritable gold mine of clangorous sonorities, with three complete junk-metal ensembles that would give an Indonesian gamelan nightmares.” Geary Yelton and Len Sasso (The Audio Spotlight)