“This is all that really matters at the end of the day for most, and this has a very detailed, authentic sound. For me, it’s awesome, it’s not a general use, all around instrument. It’s specific to the instruments it covers, and it covers them well. […] At the end of the day, a great sound is a great sound, and with all the articulations in this library it’s really easy to find what you need. It’s priced well within the reach of everyone from hobbyists to professional composers, so that’s always a plus.” (4.5/5)

JK Swopes (Sounds and Gear)

“Ventus Series: Shakuhachi delivers a clear and lifelike performance of the instrument and there are plenty of options for customizing various aspects of the sound. The ornaments feature allows for more spontaneous sounding performances that reflect the strengths of the Shakuhachi’s idiomatic sound. Inclusion of a phrase library offers additional sounds to either enhance existing performances of the main instrument or for use as one shot effects or sound design.” (Original Sound Version)

“Upon loading Ventus Duduk in Kontakt the first impression users may get is that Impact Soundworks have packed quite a bit under the hood of such a modestly priced instrument… In the end we have a beautifully performed and playable duduk virtual instrument, with great customisability at a steal of a price.” (Sound On Sound)

“So if you’re interested in the authentic timbres of the metallophones of the Javanese Gamelan, this sample set is definitely for you. And more, if you’re interested in modifying the timbres, mixing them, detuning them, harmonising them in definitely non-traditional manners, and in fact, using the basic traditional timbres as a basis for your own post-post-modern twistings and manglings, then this sample set is also definitely for you…the fact that the set has Impact’s impeccable sound quality ought to be enough to convince anyone with the slightest interest in traditional or extended uses of Javanese Gamelan timbres to leap at the chance of owning this set. If you do, you won’t be disappointed.”

Warren Burt (SoundBytes Magazine)

“All three drums are recorded beautifully. Just enough raw character to truly capture their spirit… without making them a nightmare to fit in the mix or [with] your other instruments. It can be played in either an intimate style or a more bombastic temperament (this is where those dynamic layers shine). There are also many useful sound manipulation tools in the elegant & simple user interface… All in all, this is a great library. At just $49 it will make a great addition to your existing ethnic/hand percussion. I love [it] and can see myself reaching for [it] regularly.”

Matt Bowdler (Film and Game Composers)

“Sitar Nation is easily the best collection of sampled sitars I’ve ever played. Given some of the sampled sitars we’ve all heard, that may sound like faint praise, but this set from Impact Soundworks pole-vaults over the others with playability, musicality, and complexity that place it alongside the best sampled instruments of any stripe. […] Sitar Nation is full of surprises, but the most pleasant one is the set’s overall musicality and expressiveness. If you’re looking for classical Indian instruments (and then some), [it’s] an outstanding value.” Marty Cutler (Electronic Musician)

“The warm sound of the Shakuhachi is as authentic an experience as you can get unless you play the real thing. The inclusion of True Legato, multiple sustains trills and ornaments as well as the breath sounds make this an absolutely beautiful playing experience. The uses for the Shakuhachi transcend beyond traditional Japanese Classical music and meditation pieces. This is a serious instrument for use in movie scores, trailers, electronic, pop and is particularly effective when paired with the Impact Sound Works [sic] Koto Nation.”

Brian Brylow (Sample Library Review)