Circle Drone of Doom
A dark, dystopian synth with absolutely massive character.
US$49
Hear Circle Drone of Doom In Action
- Chthonic Entrails Krys Polezoes
- Rite of Emberus Ian Dorsch
- Behemoth Jae NuclearMotion Williams
- Breaking Down This Dark Wall Vae Song
- Respawn Sarah Mancuso
- Rip And Shred Andrew Aversa
- Line 53 Skyward Tremendouz
- Asgore Theme Toby Fox & RichardEB (Arranged By Jason Pai)
- One Against Many Tremendouz
- Into Sandy's City Bobby Prince & Mick Gordon (Arranged by DanFourts)
- Shotguns and Chainsaws Trash Panda Music
- Silver Kaedalus
- Impending Doom Tarik Maljanovic
- Chthonic Entrails (Library Only) Krys Polezoes
- Rite Of Emberus (Library Only) Ian Dorsch
- Breaking Down This Dark Wall (Library Only) Vae Song
- Behemoth (Rhythm Guitar Only) Jae NuclearMotion Williams
- Behemoth (Ambient Guitar Only) Jae NuclearMotion Williams
- Rip And Shred (Guitars Only) Andrew Aversa
- Line 53 Skyward (Library Only) Tremendouz
- Into Sandy's City (Library Only) Bobby Prince & Mick Gordon (Arranged by DanFourts)
Audio Demos
- Chthonic Entrails Krys Polezoes
- Rite of Emberus Ian Dorsch
- Behemoth Jae NuclearMotion Williams
- Breaking Down This Dark Wall Vae Song
- Respawn Sarah Mancuso
- Rip And Shred Andrew Aversa
- Line 53 Skyward Tremendouz
- Asgore Theme Toby Fox & RichardEB (Arranged By Jason Pai)
- One Against Many Tremendouz
- Into Sandy's City Bobby Prince & Mick Gordon (Arranged by DanFourts)
- Shotguns and Chainsaws Trash Panda Music
- Silver Kaedalus
- Impending Doom Tarik Maljanovic
- Chthonic Entrails (Library Only) Krys Polezoes
- Rite Of Emberus (Library Only) Ian Dorsch
- Breaking Down This Dark Wall (Library Only) Vae Song
- Behemoth (Rhythm Guitar Only) Jae NuclearMotion Williams
- Behemoth (Ambient Guitar Only) Jae NuclearMotion Williams
- Rip And Shred (Guitars Only) Andrew Aversa
- Line 53 Skyward (Library Only) Tremendouz
- Into Sandy's City (Library Only) Bobby Prince & Mick Gordon (Arranged by DanFourts)
Overview
Six raw analog oscillators that can be multiplied, warped, and shaped with the simple turn of a knob or push of a button. More streamlined and inspiring than an ordinary synth; much more versatile than an ordinary drone. Capable of killing it on pads or beds, leads, poly synths, even a tight punchy bass — especially dark, dirty, gritty, industrial, and thick sounds. An off-the-wall collaboration with YouTuber (and 2026 Eurovision performer!) Look Mum No Computer. Perfect for dystopian world-building, crunchy game soundtracks, or to double a modern metal guitar line.
Product Info
Sonic Mayhem, Simplified
A totally unique UI invites creative experimentation. Just enough controls to give a huge range of sounds, without ever being overwhelming to work with.
Six Pure Analog Oscillators
The foundation of the instrument, each independently-tunable up to 3 octaves. Multiply them via the MORE knob for up to 48 oscillators per voice. Detune and stereo spread with THICK. Morph the waves with the SHAPE control.
One-Knob Galactic Reverb & THX Effect
Bring all 6 knobs into perfect unison (and back into chaos again) with the central UNITY knob for a true wall of sound. Then engulf your sound in cosmic reverb.
Dual-Stage Distortion
A badass custom effect that puts the “DOOM” in the name. Drive it from lightly crunched to total oblivion, with adjustable TONE and three different COLOR flavors: Dark, Balanced, Bright.
Easy Motion Control
Add filter envelope movement and LFO modulation with just a couple knobs, great for undulating pulses, sweeps, stabs, and more.
XX inspiring presets
Custom-built, out-of-the-box sounds perfect for cinematic scores, game soundtracks, and modern metal. Or make your own!
Features
One-of-a-kind custom instrument
Inspiring hand-drawn visuals
Unique, usable parameters
Aleatoric effects
User-friendly engine
Requirements
15GB disk space
7200 RPM hard drive or solid state drive recommended.
6GB of RAM
Higher amounts of memory let you load more instruments.
Apple M1, Intel i5 or equivalent CPU
A faster CPU with more cores will allow you to play more simultaneous voices.
Kontakt Player 6.7+
This instrument will run in the FREE Kontakt Player.
Kontakt Requirements - Mac OSX
Intel Macs (i5 or higher): macOS 10.14, 10.15, 11 or 12 (latest update).
Apple Silicon Macs (via Rosetta 2 & natively on ARM in Standalone or in hosts that support it): macOS 11 or 12 (latest update)
Kontakt Requirements - Windows
Windows 10 (latest Service Pack, 32/64-bit). Intel Core i5 or equivalent CPU. Graphics hardware support for OpenGL 2.1 or higher.
Tutorials
Instrument Walkthrough
Bundle of Doom Trailer
Featured Artists & Composers
Stewart Winter
(Co-founder, VideoHelper)
“I’m a keyboard player — I can’t even make a REAL guitar sound convincing. But Telos and Rosette are my go-to guitars because they sound incredible, sit well in a mix and are so easy to configure to my personal playing habits. I’m constantly discovering new ways to play them and they’ve saved my ass more times than I can count. And the pedal Steel is still my favorite library of its kind for Country, Folk and organic layering behind synths.”
Mark Portmann
(Ariana Grande, Luis Fonsi, Celine Dion, Quincy Jones)
“[ISW]’s instruments consistently deliver the sound, feel, and reliability I need to do my best work. Thank you for raising the bar and making tools that inspire.”
Mike Gonsolin
(Snoop Dogg, T-Pain, Playboi Carti, Migos)
“Impact Soundworks’ libraries are truly in a league of their own. I’ve been a long time user for as long as I can remember and it would take me a whole other producing lifetime to build the depths of these libraries on my own. As a Kontakt enthusiast who owns just about every library out there I can confidently say that Impact Soundworks’ libraries stand in the top 1%, and that’s saying something! No snake oil here. Just meticulously assembled libraries that are overflowing with creative sound design options and inspiration igniting presets.”
Mike Gonsolin (Mike G)
We love analog drone synthesizers. They are enormous, imposing, and uncompromising, with absolutely no subtlety, just raw voltage pumped out as colossal, undulating tidal waves of sound.
How do you bring that sonic concept into the virtual realm without losing its essence? And just how far can you take it? That’s what we set out to answer with this library.
Our Circle Drone of Doom began life as the titular instrument from Look Mum No Computer. We wanted to keep the killer sound and directness of the real analog hardware, but you know how we are — we kept finding more features to add and new ways to improve the workflow. The result is something that functions a lot like a synth, with much more straightforward controls.
The fun and creative design is meant to inspire you to dive in and get your hands dirty, discovering new sounds as you play with it. Every knob and setting sounds good (even if “good” sometimes means “massively, brutally chaotic”).
Start with six oscillators with the warm, rich sound you can only get from a 100% analog signal path. Each oscillator has its own independent tuning, making it easy to get cutting, tightly-tuned leads and basses as well as 3-octave mega-detuned monsters.
Turn the multiply knob for more, more, more (up to 48 voices on a single note) with as much or as little spread and detune as you want. A multimode filter dripping with character comes next, with easy motion you can introduce using just a single knob turn.
Top it off nicely with three flavors of circuit-modeled distortion and saturation (dark, medium, warm), either just a touch or enough to obliterate the signal into sonic madness.
No complicated UI here. We very deliberately added the most impactful controls rather than adding dozens and dozens of knobs and sliders that would just water down and muddy the character and experience of this beast.
Far from a single-use instrument or a straightforward drone, Circle Drone of Doom morphs and shifts to a huge range of sounds within the flavor of its distinctive character.
We think it’s an ideal companion to our Bundle of Doom if you’re writing modern metal; use it to double your Shreddage 3 Argent leads and heavy riffs.
And if you’re building dystopian soundscapes or scoring dungeon crawls, you’ll find true cinematic-ready presets ready and waiting for you: big, washy drones; crunchy analog synths; heavy, distorted darkness; massive chaos; unsettling creepiness — to name just a few.
LMNC is the artist name of Sam Battle, a musician and creator known for his unusual builds and the music he makes with them.
Reviews
Shreddage 3 Argent – Krys Polezoes
“So, what do I think of Argent? Honestly, I wasn’t 100% sold on it at first, but the more I’ve gotten to play with it, I think, the more I’ve sort of warmed up to and now prefer it over Hydra. I think that the DI has a really nice dark tone to it, and you know, I don’t really tune as low as this thing can go, but being able to have a guitar that can play that low if you really want it without having to transpose it and mess up the performance and all that stuff; it’s nice, you know. The guitar doesn’t sound warped or strange playing that low, which is definitely a step above Hydra, where the only way to play it lower was to just down tune it through Kontakt’s natural sample transposition.”
“I’m mostly going to be talking about its applicability to writing heavy riffs for the purpose of creating argent metal, and for that, I think it excels. It has a lot of range; like I said it’s able to tune super low, especially compared to Hydra. And I mean honestly, even though I’m not using some of the presets in here, they’re not bad; it comes with a good amount of brutal presets.”
“Pretty dark, pretty smooth, pretty clean.”
Shreddage 3 Series – Sample Library Review
“Impact Soundworks have blown the lid off my DAW with Shreddage 3. This is the electric guitar library I have long been looking for. Whether you want a rocking rhythm guitarist, a wailing, screaming guitar soloist, or simply a tool for writing your own rhythm and solo guitar parts, Shreddage 3 fits the bill. You can easily write a full rock track with Shreddage 3 that sounds authentic and believable. It’s hard to ask for much more than that.”
Raborn Johnson (Sample Library Review)