Hear Camellia Concert Grand In Action
Hear Camellia Concert Grand In Action
- Rhapsody in Blue Andrew Aversa
- Piano Musings Tremendouz
- Piano Sonata No. 30 Op 109 Mvmt. 2 Beethoven (Arranged by Michael Hoffmann)
- Yellow Bloom Vae Song
- Your Note Nikki Kaelar (Arranged by DanFourts)
- To Zanarkand Nobuo Uematsu (Arranged by Jason Pai)
- Hollow Knight Kris Kirk
- Ninelie (Kabaneri of the Iron Fortress) Hiroyuki Sawano (Arranged by Jason Pai and Animenz)
- The White Pearl Andreas Wimmer
- Yellow Bloom (Library Only) Vae Song
- Your Note (Library Only) Nikki Kaelar (Arranged by DanFourts)
- White Pearl (Library Only) Andreas Wimmer

Reviews
Simon Franglen
Titanic, Skyfall, Spectre, Avatar, Avatar: The Way of Water
Impact Soundworks make detailed, emotive instruments. I’ve happily bought over two dozen of their libraries which should say everything. They get used every day.
Mark Portmann
Ariana Grande, Luis Fonsi, Celine Dion, Quincy Jones
"[ISW]'s instruments consistently deliver the sound, feel, and reliability I need to do my best work. Thank you for raising the bar and making tools that inspire."
Neal Acree
World of WarCraft, Diablo III, StarCraft II, Overwatch
"Impact Soundworks has some of the most creative and innovative libraries out there. From world instruments to the insanely deep sampled Shreddage guitar series the Impact catalog is full of must-haves and unexpected and inspiring surprises. Highly recommended!
Stewart Winter
Co-founder, VideoHelper
"I'm a keyboard player -- I can't even make a REAL guitar sound convincing. But Telos and Rosette are my go-to guitars because they sound incredible, sit well in a mix and are so easy to configure to my personal playing habits. I'm constantly discovering new ways to play them and they've saved my ass more times than I can count. And the pedal Steel is still my favorite library of its kind for Country, Folk and organic layering behind synths."
Brian Pickett
PAW Patrol, Lucas the Spider, Daniel Tiger
"I never would have thought that sampled guitars could sound as good as ISW's do. The fact that I can use them to lay down a realistic solo is unprecedented. They’ve pushed the boundaries of realism."
Richard Jacques
Marvel's Guardians of the Galaxy, Mass Effect, Overwatch 2, James Bond 007: Blood Stone
"I'm a huge fan of the Ventus Winds series. They feature rare instruments deep-sampled to an incredibly high level of detail. It's so liberating to have such a wide range of articulations & phrases that perfectly capture the nuances and performance style of these instruments... from beautiful to haunting, celebratory to sorrowful. Each is expertly recorded and the sound quality is superb, sitting in the mix with ease. If you want to add authentic world winds to your palette, then look no further."
Kevin Manthei
Angry Birds Mystery Island, Marvel’s Spider-Man, Villainous, Neverwinter, Star Trek Online
"ISW creates some of the most inspiring & realistic guitar sample libraries. I had to write a bunch of really gritty, angry heavy metal & sports action rock cues. I used Shreddage 3 Serpent for leads and was blown away by its onboard processing, programming, and amazing live-sounding leads. I also created a signature sound based on the lead guitar in David Lynch's Twin Peaks series, originally played on baritone guitar. [Serpent] built a convincing replica of that sound just using on-board FX. It was so fun and easy to do!"
Audio Demos
- Rhapsody in Blue Andrew Aversa
- Piano Musings Tremendouz
- Piano Sonata No. 30 Op 109 Mvmt. 2 Beethoven (Arranged by Michael Hoffmann)
- Yellow Bloom Vae Song
- Your Note Nikki Kaelar (Arranged by DanFourts)
- To Zanarkand Nobuo Uematsu (Arranged by Jason Pai)
- Hollow Knight Kris Kirk
- Ninelie (Kabaneri of the Iron Fortress) Hiroyuki Sawano (Arranged by Jason Pai and Animenz)
- The White Pearl Andreas Wimmer
- Yellow Bloom (Library Only) Vae Song
- Your Note (Library Only) Nikki Kaelar (Arranged by DanFourts)
- White Pearl (Library Only) Andreas Wimmer
Product Info
Yamaha C7 recorded in a world-class concert hall
The legendary 7’6″ grand piano, heard on countless stages, theaters, and recordings. Bright and powerful with a robust, sparkling bass.
Seamless, continuous dynamics
12 dynamic (velocity) layers per chromatically-sampled note, with our custom SpectralFusion DSP providing an additional 11 intermediate recorded layers for optimal smoothness.
Deep per-note sampling
12 dynamic (velocity) layers per chromatically-sampled note, with Spectral Fusion dynamic morphing providing an additional 11 intermediate recorded layers.
Perfectly mix-ready out of the box
We captured the piano with a wide range of mics and perspectives, then carefully mixed these into the most distinct and useful channels: Close and Room.
Lifelike performance details
Each note is hand-edited to preserve the most pristine and natural hammer-on-string attack, with equally detailed release samples that breathe life into MIDI notes.
Exhaustively sampled
8,100+ samples provided in 16 and 24-bit fidelity, recorded chromatically (all 88 keys) with damper pedal-up and down. Sustain lengths from 2 seconds (highest notes) to 30 seconds (lowest notes).
21 inspiring snapshots
From naturalistic “out-of-the-box” pop and classical setups to cinematic, emotional, lo-fi, and ambient tones.
Yamaha C7 recorded in a world-class concert hall
The legendary 7’6″ grand piano, heard on countless stages, theaters, and recordings. Bright and powerful with a robust, sparkling bass.
Seamless, continuous dynamics
12 dynamic (velocity) layers per chromatically-sampled note, with our custom SpectralFusion DSP providing an additional 11 intermediate recorded layers for optimal smoothness.
Deep per-note sampling
12 dynamic (velocity) layers per chromatically-sampled note, with Spectral Fusion dynamic morphing providing an additional 11 intermediate recorded layers.
Perfectly mix-ready out of the box
We captured the piano with a wide range of mics and perspectives, then carefully mixed these into the most distinct and useful channels: Close and Room.
Lifelike performance details
Each note is hand-edited to preserve the most pristine and natural hammer-on-string attack, with equally detailed release samples that breathe life into MIDI notes.
Exhaustively sampled
8,100+ samples provided in 16 and 24-bit fidelity, recorded chromatically (all 88 keys) with damper pedal-up and down. Sustain lengths from 2 seconds (highest notes) to 30 seconds (lowest notes).
21 inspiring snapshots
From naturalistic “out-of-the-box” pop and classical setups to cinematic, emotional, lo-fi, and ambient tones.
Features
Elegant and powerful UI
Individual mic editing
Customizable key response
Special editing for each individual key
Alternate tuning support
Elegant and powerful UI
Individual mic editing
Customizable key response
Special editing for each individual key
Alternate tuning support
Requirements
19GB of disk space
7200RPM hard drive or solid state drive recommended.
8GB of RAM minimum
Higher amounts of memory let you load more instruments. 8GB is the required minimum for Kontakt Player 7. Camellia uses around 1 to 1.5GB.
Kontakt Player 7.10.7+
This library will run in the FREE Kontakt Player.
Kontakt Requirements - Mac OS
Intel Macs (i5 or higher): macOS 10.14, 10.15, 11 or 12 (latest update).
Apple Silicon Macs (via Rosetta 2 & natively on ARM in Standalone or in hosts that support it): macOS 11 or 12 (latest update)
Kontakt Requirements - Windows
Windows 7, Windows 8, or Windows 10 (latest Service Pack, 32/64-bit). Intel Core i5 or equivalent CPU. Graphics hardware support for OpenGL 2.1 or higher. Windows 10 strongly recommended.
Tutorials
Camellia Concert Grand vs Magnolia Studio Grand: Sound Comparison
Walkthrough & Demonstration
Featured Artists & Composers
ShadyCicada
“Impact Soundworks software is an absolute mainstay in my work when it comes to Video Game and Anime-inspired tracks! The amount of ease and wonderful sounds these plugins offer allows me to get straight into writing and brainstorming.”
Christopher Gordon
Ladies in Black, Mao’s Last Dancer, Salem’s Lot, Master and Commander
“Impact Soundworks’ range of guitars and fretted instruments sound amazing and are crafted and nuanced with expert detail. Intuitively set up to get straight to composing. And I have a real soft spot for the juicy, screaming Shreddage 3 Hydra!”
Jimmy Hinson
Black Ops 4, Mass Effect 2, There Came An Echo, Borderlands 2
“Between Shreddage, Super Audio Cart, Juggernaut, and Mega Brass I don’t remember the last time I haven’t used an Impact Soundworks instrument in a track. The attention to detail is astonishing and it’s all so easy to use out of the box, which is a big deal.”
Ben Prunty
FTL: Faster Than Light, Into the Breach, Subnautica: Below Zero
“I’ve been using ISW since 2015, and their instruments have shown up in Into the Breach and Subnautica Below Zero, and in nearly all of my solo albums. Shreddage helped me fill in the gaps around my own guitar performances. Super Audio Cart provided some great raw synth sounds for parts of Below Zero. Impact Soundworks is often the first place I go to when I’m shopping for a new project. Everything they make works and sounds great.”
Jeff Broadbent
Assassin’s Creed Identity, Call of Duty Mobile, Resident Evil, Diablo Immortal, Transformers: Dark of the Moon
“ISW creates amazing, creative, and intuitive virtual instruments! I’ve enjoyed using them for over a decade, and they have found their way into many of my music scores. Their wonderfully realistic world instruments showed up in a recent Nexon video game, Shreddage 3 Stratus on the score for Grid, and Super Audio Boy is a favorite for retro sounds, effects, and fun nostalgia. Highly recommended!”
Lena Raine
Celeste, Chicory, Minecraft, Guild Wars 2, Deltarune
Instruments from ISW are a staple of my soundtrack work for games. Vocalisa has been a mainstay vocal aesthetic of nearly every game I’ve worked on including Celeste & Chicory: A Colorful Tale. Shreddage 3 has also given me the confidence to write some really fun guitar riffs & solos despite not being able to play a real one. I’ve started incorporating Tokyo Scoring Strings into the acoustic side of my scoring work, and can’t wait to try out more from ISW in the future!
Matthew Carl Earl
Overwatch 2, Rainbow Six Siege, Call of Duty Mobile, PUBG Mobile, Arknights
“Impact Soundworks creates easy-to-use, great-sounding virtual instruments right out of the box. Highland Harps, Emotional Mallets, and Shreddage 3 are in my daily toolkit.”
Kevin Manthei
Angry Birds Mystery Island, Marvel’s Spider-Man, Villainous, Neverwinter, Star Trek Online
“ISW creates some of the most inspiring & realistic guitar sample libraries. I had to write a bunch of really gritty, angry heavy metal & sports action rock cues. I used Shreddage 3 Serpent for leads and was blown away by its onboard processing, programming, and amazing live-sounding leads. I also created a signature sound based on the lead guitar in David Lynch’s Twin Peaks series, originally played on baritone guitar. [Serpent] built a convincing replica of that sound just using on-board FX. It was so fun and easy to do!”
Mike Gonsolin
(Snoop Dogg, T-Pain, Playboi Carti, Migos)
“Impact Soundworks’ libraries are truly in a league of their own. I’ve been a long time user for as long as I can remember and it would take me a whole other producing lifetime to build the depths of these libraries on my own. As a Kontakt enthusiast who owns just about every library out there I can confidently say that Impact Soundworks’ libraries stand in the top 1%, and that’s saying something! No snake oil here. Just meticulously assembled libraries that are overflowing with creative sound design options and inspiration igniting presets.”
Mike Gonsolin (Mike G)
Mark Portmann
(Ariana Grande, Luis Fonsi, Celine Dion, Quincy Jones)
“[ISW]’s instruments consistently deliver the sound, feel, and reliability I need to do my best work. Thank you for raising the bar and making tools that inspire.”
Mike Reagan
Invincible Fight Girl, Powerpuff Girls, Trials Evolution, God of War, Twisted Metal
“A big thanks to the team at Impact Soundworks for putting inspiration at my fingertips! Your sample libraries are in heavy use in my Orchestral, Rock and Pop templates, and always visible in my top-tier Cue-specific Kontakt. Layering your Shreddage libraries on top of my live guitar tracks creates so much depth, and I get so much out of so many of your other libraries – too many to name. A+ programming and sonic goodness gang!”
Simon Franglen
Titanic, Skyfall, Spectre, Avatar, Avatar: The Way of Water
Impact Soundworks make detailed, emotive instruments. I’ve happily bought over two dozen of their libraries which should say everything. They get used every day.
Stewart Winter
(Co-founder, VideoHelper)
“I’m a keyboard player — I can’t even make a REAL guitar sound convincing. But Telos and Rosette are my go-to guitars because they sound incredible, sit well in a mix and are so easy to configure to my personal playing habits. I’m constantly discovering new ways to play them and they’ve saved my ass more times than I can count. And the pedal Steel is still my favorite library of its kind for Country, Folk and organic layering behind synths.”
Neal Acree
World of WarCraft, Diablo III, StarCraft II, Overwatch
“Impact Soundworks has some of the most creative and innovative libraries out there. From world instruments to the insanely deep sampled Shreddage guitar series the Impact catalog is full of must-haves and unexpected and inspiring surprises. Highly recommended!
Brian Pickett
PAW Patrol, Lucas the Spider, Daniel Tiger
“I never would have thought that sampled guitars could sound as good as ISW’s do. The fact that I can use them to lay down a realistic solo is unprecedented. They’ve pushed the boundaries of realism.”
Richard Jacques
Marvel’s Guardians of the Galaxy, Mass Effect, Overwatch 2, James Bond 007: Blood Stone
“I’m a huge fan of the Ventus Winds series. They feature rare instruments deep-sampled to an incredibly high level of detail. It’s so liberating to have such a wide range of articulations & phrases that perfectly capture the nuances and performance style of these instruments… from beautiful to haunting, celebratory to sorrowful. Each is expertly recorded and the sound quality is superb, sitting in the mix with ease. If you want to add authentic world winds to your palette, then look no further.”
Featured Artists & Composers
Jimmy Hinson
Black Ops 4, Mass Effect 2, There Came An Echo, Borderlands 2
“Between Shreddage, Super Audio Cart, Juggernaut, and Mega Brass I don’t remember the last time I haven’t used an Impact Soundworks instrument in a track. The attention to detail is astonishing and it’s all so easy to use out of the box, which is a big deal.”
Neal Acree
World of WarCraft, Diablo III, StarCraft II, Overwatch
“Impact Soundworks has some of the most creative and innovative libraries out there. From world instruments to the insanely deep sampled Shreddage guitar series the Impact catalog is full of must-haves and unexpected and inspiring surprises. Highly recommended!
Matthew Carl Earl
Overwatch 2, Rainbow Six Siege, Call of Duty Mobile, PUBG Mobile, Arknights
“Impact Soundworks creates easy-to-use, great-sounding virtual instruments right out of the box. Highland Harps, Emotional Mallets, and Shreddage 3 are in my daily toolkit.”
Stewart Winter
(Co-founder, VideoHelper)
“I’m a keyboard player — I can’t even make a REAL guitar sound convincing. But Telos and Rosette are my go-to guitars because they sound incredible, sit well in a mix and are so easy to configure to my personal playing habits. I’m constantly discovering new ways to play them and they’ve saved my ass more times than I can count. And the pedal Steel is still my favorite library of its kind for Country, Folk and organic layering behind synths.”
Mark Portmann
(Ariana Grande, Luis Fonsi, Celine Dion, Quincy Jones)
“[ISW]’s instruments consistently deliver the sound, feel, and reliability I need to do my best work. Thank you for raising the bar and making tools that inspire.”
Mike Gonsolin
(Snoop Dogg, T-Pain, Playboi Carti, Migos)
“Impact Soundworks’ libraries are truly in a league of their own. I’ve been a long time user for as long as I can remember and it would take me a whole other producing lifetime to build the depths of these libraries on my own. As a Kontakt enthusiast who owns just about every library out there I can confidently say that Impact Soundworks’ libraries stand in the top 1%, and that’s saying something! No snake oil here. Just meticulously assembled libraries that are overflowing with creative sound design options and inspiration igniting presets.”
Mike Gonsolin (Mike G)
ShadyCicada
“Impact Soundworks software is an absolute mainstay in my work when it comes to Video Game and Anime-inspired tracks! The amount of ease and wonderful sounds these plugins offer allows me to get straight into writing and brainstorming.”
Mike Reagan
Invincible Fight Girl, Powerpuff Girls, Trials Evolution, God of War, Twisted Metal
“A big thanks to the team at Impact Soundworks for putting inspiration at my fingertips! Your sample libraries are in heavy use in my Orchestral, Rock and Pop templates, and always visible in my top-tier Cue-specific Kontakt. Layering your Shreddage libraries on top of my live guitar tracks creates so much depth, and I get so much out of so many of your other libraries – too many to name. A+ programming and sonic goodness gang!”
Ben Prunty
FTL: Faster Than Light, Into the Breach, Subnautica: Below Zero
“I’ve been using ISW since 2015, and their instruments have shown up in Into the Breach and Subnautica Below Zero, and in nearly all of my solo albums. Shreddage helped me fill in the gaps around my own guitar performances. Super Audio Cart provided some great raw synth sounds for parts of Below Zero. Impact Soundworks is often the first place I go to when I’m shopping for a new project. Everything they make works and sounds great.”
Richard Jacques
Marvel’s Guardians of the Galaxy, Mass Effect, Overwatch 2, James Bond 007: Blood Stone
“I’m a huge fan of the Ventus Winds series. They feature rare instruments deep-sampled to an incredibly high level of detail. It’s so liberating to have such a wide range of articulations & phrases that perfectly capture the nuances and performance style of these instruments… from beautiful to haunting, celebratory to sorrowful. Each is expertly recorded and the sound quality is superb, sitting in the mix with ease. If you want to add authentic world winds to your palette, then look no further.”
Simon Franglen
Titanic, Skyfall, Spectre, Avatar, Avatar: The Way of Water
Impact Soundworks make detailed, emotive instruments. I’ve happily bought over two dozen of their libraries which should say everything. They get used every day.
Brian Pickett
PAW Patrol, Lucas the Spider, Daniel Tiger
“I never would have thought that sampled guitars could sound as good as ISW’s do. The fact that I can use them to lay down a realistic solo is unprecedented. They’ve pushed the boundaries of realism.”
Christopher Gordon
Ladies in Black, Mao’s Last Dancer, Salem’s Lot, Master and Commander
“Impact Soundworks’ range of guitars and fretted instruments sound amazing and are crafted and nuanced with expert detail. Intuitively set up to get straight to composing. And I have a real soft spot for the juicy, screaming Shreddage 3 Hydra!”
Kevin Manthei
Angry Birds Mystery Island, Marvel’s Spider-Man, Villainous, Neverwinter, Star Trek Online
“ISW creates some of the most inspiring & realistic guitar sample libraries. I had to write a bunch of really gritty, angry heavy metal & sports action rock cues. I used Shreddage 3 Serpent for leads and was blown away by its onboard processing, programming, and amazing live-sounding leads. I also created a signature sound based on the lead guitar in David Lynch’s Twin Peaks series, originally played on baritone guitar. [Serpent] built a convincing replica of that sound just using on-board FX. It was so fun and easy to do!”
Lena Raine
Celeste, Chicory, Minecraft, Guild Wars 2, Deltarune
Instruments from ISW are a staple of my soundtrack work for games. Vocalisa has been a mainstay vocal aesthetic of nearly every game I’ve worked on including Celeste & Chicory: A Colorful Tale. Shreddage 3 has also given me the confidence to write some really fun guitar riffs & solos despite not being able to play a real one. I’ve started incorporating Tokyo Scoring Strings into the acoustic side of my scoring work, and can’t wait to try out more from ISW in the future!
Jeff Broadbent
Assassin’s Creed Identity, Call of Duty Mobile, Resident Evil, Diablo Immortal, Transformers: Dark of the Moon
“ISW creates amazing, creative, and intuitive virtual instruments! I’ve enjoyed using them for over a decade, and they have found their way into many of my music scores. Their wonderfully realistic world instruments showed up in a recent Nexon video game, Shreddage 3 Stratus on the score for Grid, and Super Audio Boy is a favorite for retro sounds, effects, and fun nostalgia. Highly recommended!”
We’ve been wanting to bring something really special to the world of virtual pianos. As part of our research and development, we decided to test our new recording technique on the same Yamaha C7 featured in our original Pearl Concert Grand, in the same concert hall. Once we heard the results, we knew we couldn’t leave this as just an experiment; we needed to share it with the world.
Camellia Concert Grand (like Magnolia Studio Grand) is a eminently playable, immediately inspiring virtual piano that especially shines due to its great dynamic range and control. We brought our years of experience and new technology to bear, and we think you’ll be able to hear the difference.
To deliver an accurate and consistent performance, we used a human-supervised machine to press the piano keys, applying the exact same amount of pressure for each recording of a given velocity, which means you’ll have unprecedented control and stability when you sit down to play. Our exclusive SpectralFusion technology to seamlessly transition from one velocity to the next means that you’ve got an unparalleled amount of sensitivity to pressure. With such a responsive, flexible instrument at your command, you’re free to express yourself without limitations.
The Yamaha C7 is a 7’6” concert grand with long, deeply resonant strings and a reputation for outstanding quality. A staple of performance halls the world over, this grand is known for its enormous sound and its expressive dynamic range. The bass in particular is treasured for its warmth and robustness, though the treble also soars.
This legendary piano’s rich tones are why we made it our flagship piano, and it’s why we immediately ran to the exact same instrument when we wanted to try a new recording technique. Its ability to produce booming, grandiose sounds and incredible tenderness means that it’s ready for anything you throw at it — classical, pop, scoring, jazz, and more.
Reviews
Camellia Concert Grand – Steve Nathan
“For most of my session career, the Yamaha C7 has been the most common piano in first-rate recording studios. I’ve played so many on pop, soul, and country hit records across the ’80s, ’90s, and 2000s … For over 50 years, the sound of a C7 has been what I think of when I think recording piano. So in the age of virtual, I’ve tried nearly every offering based on this particular instrument, but so far, I’ve remained disappointed with the efforts. So often, they’re too bright, thin or weak sounding. Today that changed! I’ve just put Camellia Concert Grand from Impact Soundworks through its paces and I can honestly say I think they nailed it! It’s perfect for everything from big ballads to rockers, and especially on target for today’s country. And the price makes it a no brainer. Check it out!”
Steve Nathan, session musician for artists like George Michael, Mark Knopfler, Jewel, Faith Hill, Tim McGraw, Keith Urban, Natalie Cole, The Commodores
