“…the key to getting a realistic performance with Rosette is understanding the interface and making use of the many features available…Certainly, Rosette Fingerstyle is more than capable of excellent results – and the Taylor has been nicely captured – but to make the most of this instrument a little more work is required by the user.” (7.8/10)

Bruce Aisher (Future Music – February 2023)

“Impact Soundworks’ Acoustic Revolutions 3 offers an extensive variety of looped rhythms for those in need of an acoustic guitar background. Superbly recorded, this library has a crystal clear acoustic sound, with a very tight timing that automatically syncs to your DAW’s tempo.”

Andrea Federici (Sample Library Review)

“Pearl Concert Grand sounds lovely and plays well, holding its own against competing pianos costing considerably more…There’s enough processing power to design any piano sound you’re likely to need.” (4.5/5)

CM Reviews (Computer Music)

“…[Fretless] is a meticulously modelled [sic] fretless bass VST that does what is says on the tin. But with realistic fretless emulations come the responsibility of managing velocity curves as a real bassist would…If you want a dedicated fretless bass that you’re willing to learn well to use across your projects, there’s nothing quite like the Shreddage 3 Fretless.”

Sai (Whipped Cream Sounds)

“So, in summary, what do I think of the Pearl Concert Grand? Well, I very much like the variety of sounds that can be achieved from the one instrument – this being the C7 Yamaha Concert Grand. The GUI is very well laid out and the option to change the lighting by clicking on the logo is also quite nice.”

Dan Cooper (Pro Tools Expert)

“It’s really interesting how different libraries can fit into different roles, and I’m just loving the way that Pearl just really has such a presence, and it kind of cuts through…it can be really bright, and then it can just be really nice and big and intimate and full, which I really, really appreciate about this library.”

Simeon Amburgey (07/2020)

“[Shreddage 3 Fretless] is among the few [fretless basses] that nails the appealing expressiveness of the fretless bass, while successfully avoiding the static, snapshot-like effect that often plagues these sounds…It’s particularly effective for ballads, but it’s fully capable of up-tempo notefests too…there’s plenty here to please just about any fretless bass fan…I recommend Impact Soundworks Shreddage 3 Fretless without reservation.”

Marty Cutler (Synth & Software)