Testimonials
Read what reviewers and top composers have to say about our products.
Top Reviews
MB Gordy Percussion – Boobams – Sample Library Review
“I’m loving the instrument. It’s melodic percussion, but it really does kinda take it out somewhere real special with the console and the fx chains you can use; the snapshots are really great. And of course, this is the first time this instrument’s been recorded, and it is a secret weapon.”
Don Bodin (Sample Library Review)
GameVerb – Happy Mag
“GameVerb captures the distinctive ambience of classic consoles, offering reverb modes inspired by the SNES, N64 and PlayStation. Each delivers its own space, from clean 16-bit reflections to lo-fi grit with nostalgic charm.
[T]he interface is straightforward, and Geek Mode opens extra parameters for precise tweaking. GameVerb is equal parts fun and functional, ideal for producers and sound designers who want character over realism. It delivers that unmistakable ambience of classic gaming without any fuss.”
Chro-Nyx – Composing Gloves
“It sounds awesome. It sounds really, really good. I am a big fan.
I love how the signal flow is given to you right here, so you can just reference it. That is so handy; just not having to go to a manual. But that’s just a little thing. The sound is what matters. And the sound is fantastic.
I’m not at a shortage for inspiration here, and it’s very easy to find what I want to do to change the sounds. Definitely worth some more deep dives into some of these additional settings, just so I’m more comfortable where things are at. But really, really nice sound.”
(Composing Gloves) (2026-04-21)
Cue Builders: Cinematic Rhythms – Sample Library Review
“Need to add world beats or epic rhythms in a time-crunch? You gotta check out Red Room Audio’s new Cue Builder library for Kontakt. Epic, Powerful and Full of Energy “Cinematic Rhythms” takes the Kontakt performance-based library and makes HUGE leaps in improving playback, flexibility and control.”
-Don Bodin (Sample Library Review)
Cue Builders: Cinematic Rhythms – StrongMocha
“Cue Builders Cinematic Rhythms is perfect for any composer and producer who need World or Epic beats quickly. All with the added large extent of possible customization makes this a unique and incredible offering.”
-Thorsten Meyer (StrongMocha)
Palette Series – Making Music
“The Palette series so far is a superbly integrated set of orchestral samples. Red Room Audio’s splash into orchestral sample libraries shows it’s a company with strong ideas about what an orchestral library should contain and without doubt it’s off to a very impressive start.”
Ian Waugh (Making Music)
Palette Series – Professionalcomposers.com
“Palette Orchestral series was a huge and wonderful surprise for me. Don’t get me wrong, I knew it was good…but I had no idea it would be THIS good. I honestly feel that this is one of the absolute top collections for composers of Orchestral & Cinematic Music. It covers the foundation with Symphonic Sketchpad, adds the lyrical aspect with Palette Melodics, the flare and flow with Palette Runs & Arps, and the final touch with Orchestral FX.”
Palette Orchestra Complete – Beat Magazine
“With a harmonious selection of ensembles and additional instruments, Symphonic Sketchpad is an excellent foundation for orchestral compositions. For composers who already own other orchestral libraries the collection is an inspiring tool for broad strokes thanks to its great sound and intuitive operation.”
Palette Orchestra Complete – Epicomposer.com
“Palette – Symphonic Sketchpad really offers a unique and overarching collection of orchestral instruments. If you are looking for a tool with a wide range of musical possibilities that focuses on modern epic orchestral arrangements and provides extensive effects as well as a careful selection of additional sound design and synth patches, this library could be just the right thing for you.”
Manuel Schmitt (Epicomposer.com)
Palette Orchestra Complete – Sample Library Review
“It is very bold for a new developer to come on to the scene with 4 new orchestral sample libraries for Kontakt, but that is exactly how Red Room Audio has entered the game. The developer’s flagship libraries cover a very nice range of scoring tools with orchestral sections, legato instruments, orchestral effects, choirs, runs and even a nice set of trailer Brahms and synths. If you’re looking for an affordable set of orchestral tools or a shortcut to “get everything in the same room” I highly recommend you check out what Red Room Audio’s Palette line of orchestral instruments for Kontakt have to offer.”
Don Bodin (Sample Library Review)
Palette Orchestra Complete – Making Music
“Symphonic Sketchpad’s core Strings, Brass and Woodwinds are superb and evocative patches which lend themselves to ensemble score creation. The overriding feeling is that all the instrument sounds fit together extremely well – as you might expect coming from the same company and being recorded in the same hall. But it’s not just the ambience, it’s the tonal quality which has a cohesive quality so you know whatever combination of instruments and sounds you use in your composition, they will all work together with the minimum of hassle. Many media composers tend to use ensembles both for speed and ease of composition, and Symphonic Sketchpad provides the essential ensembles you need for many orchestral scenarios at a mid price range for an all-in-one orchestra.”
Ian Waugh (Making Music)
Palette Orchestra Complete – Film Score Monthly
“I am knocked out by the Palette line. Even though the main library name implies use in the formative stages of a composition, make no mistake: Symphonic Sketchpad is entirely capable of delivering finished quality results. The full series lives up to its namesake, offering a bounty of colors that can be applied with broad strokes or with a fine touch no matter the canvas, and with truly exceptional results.”
Palette Orchestra Complete – Professionalcomposers.com
“I am totally blown away with how much content there is in Palette Orchestral Series. The sketchpad alone covers pretty much all you need to compose orchestral music, and with the added brush packs you really get all the colors you need… a full palette indeed!”
