Downtempo heavy metal riffing (with Shreddage X) meets the thick chunk of Shreddage Bass: PE! Composed by Andrew Aversa.
Shreddage Bass: PE isn't just for rock and metal. This insanely groovy composition takes funky bass playing to the next level, accompanied by Groove Bias on drums. Composed by Jake Kaufman.
Even with nothing but a drumset to accompany it, Shreddage Bass: PE shines as a powerful solo instrument. Check out the legato & vibrato!
Shreddage X and Shreddage Bass: PE combine to recreate a classic Metallica intro riff. Utilizes sustain/staccato alternation.
Dirk Ehlert of DE-tune expertly shows how this library can be used for rock ballads and softer, more exposed material.
Uptempo, jazzy disco-funk? Sure, why not! This demo utilizes only the Mutes patch, showcasing how versatile it can be. Composed by Andrew Aversa.
Shreddage Bass: PE can even be used to create electro-disco a la Daft Punk, as shown in this Mega Man 9 remix! Light FX via Guitar Rig 5's Wah pedal are added. Arranged by Andrew Aversa.
A pure, powerful bass guitar library suitable for floor-crumbling, core-shaking and mammoth riding.
Following in the proud tradition of our Shreddage guitar libraries comes Shreddage Bass, a high-octane picked electric bass library for KONTAKT 4. Featuring a killer, flexible DI tone straight from a Music Man Sterling, Shreddage Bass is the perfect tool not just for rock and metal, but for jazz, disco, electronica or even pop. No complex scripting, keyswitches or MIDI CCs required – just load and play.
With the success of our Shreddage guitar libraries, we received an overwhelming number of requests to do some sort of bass library in the same style. At first, we thought about doing a quick-and-dirty bass instrument focused solely on rock and metal. This would have been easy to do, but we decided that we wanted to go above and beyond our initial scope and make a truly powerful, flexible virtual instrument.
Thus, Shreddage Bass: Picked Edition was born. As with the original Shreddage library, we opted to record everything clean (DI) to allow the user maximum tone-crafting flexibility. Any multitude of amp and cabinet simulators can be used to great effect, but the samples also sound excellent with no processing, which was a central design goal. Our experience with many bass libraries was that they tended to be difficult to place in a mix, so we wanted our instrument to simply sit well with minimal (if any) EQ and processing.
This flexibility in tone allows you to use Shreddage Bass: Picked Edition for a variety of genres and styles. As you can hear in our demos, the library is quite capable of realistic and powerful rock and metal basslines. However, it is also exceptional for funk, jazz, disco, electronica, pop and more.
As with all of our sample libraries, a thorough set of articulations, round robins (RRs) and velocity layers are included. In this case, we have 8x RRs (4x down and 4x up strokes), 3x velocity layers, open and muted notes, staccato notes, neck slides and true hammer-on and pull-off samples with an accompanying script.
The next design goal was to make the instrument highly playable and intuitive. The modwheel, sustain pedal and other MIDI CCs are not required. There are no keyswitches. We believe that this kind of usability is vital for any composer!
We hope that you'll enjoy Shreddage Bass: Picked Edition and use it in a wide variety of musical productions. We truly believe it's our best sample library yet!
A legendary Music Man Sterling bass run through a pristine, high-end Avalon DI at 24/96, downsampled to 24/44.1 and ready to drop into a mix. No amp required.
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Coming soon!